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Frederic Bazille

b.Dec. 6, 1841, Montpellier, France d.Nov. 28, 1870, Beaune-la-Rolande French Frederic Bazille Galleries

Pintura Identificación::  34
Self Portrait
Autorretrato
1865-66 The Art Institute of Chicago
1865-66 el enstituto de Arte de Chicago
b.Dec. 6, 1841, Montpellier, France d.Nov. 28, 1870, Beaune-la-Rolande French Frederic Bazille Galleries

   
 

 

 
   
      

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Daret, Jean

Flemish Baroque Era Painter, 1613-1668

Pintura Identificación::  18970
Self Portrait
Autorretrato
1636, oil on canvas, The Hermitage, St. Petersburg
1636, óleo en lona, Ermita, St. Petersburg
Flemish Baroque Era Painter, 1613-1668

   
 

 

 
   
      

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Titian

Italian High Renaissance Painter, ca.1485-1576

Pintura Identificación::  1697
Self Portrait
Autorretrato
1567-68 Museo del Prado, Madrid
1567-68 Museo del Prado, Madrid
Italian High Renaissance Painter, ca.1485-1576

   
 

 

 
   
      

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Samuel Dircksz van Hoogstraten

1627-1678 Flemish Samuel Dircksz Van Hoogstraten Galleries

Pintura Identificación::  2412
Self Portrait
Autorretrato
The Hermitage, St.Petersburg
Ermita, St.Petersburg
1627-1678 Flemish Samuel Dircksz Van Hoogstraten Galleries

   
 

 

 
   
      

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Sofonisba Anguissola

Italian 1532-1625

Pintura Identificación::  3261
Self Portrait
Autorretrato

Italian 1532-1625

   
 

 

 
   
      


Pintura Identificación::  3392
Self Portrait
Autorretrato
1660 Metropolitan Museum of Art, New York
1660 Metropolitan Museo de Arte, Nueva York

   
 

 

 
   
      

This artist (Chaim Soutine) is not available now.

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Camille Pissaro

1830-1903 French Camille Pissarro Locations

Pintura Identificación::  4286
Self Portrait
Autorretrato
1873 Musee d'Orlay, Paris
1873 Musee dOrlay, Paris
1830-1903 French Camille Pissarro Locations

   
 

 

 
   
      

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Amedeo Modigliani

Italian Expressionist Painter and Sculptor, 1884-1920

Pintura Identificación::  10515
self portrait
Autorretrato
1919, oil on vanvas. 39 3/8x25 3/8 ins.(100x64.5cm) Meseu de Arte Contemporanea da Universidade de Sao Paulo.
1919, óleo on vanvas. 39 3-8x25 3-8 ins.-100x64.5cm- Meseu de Arte Contemporanea da Universidade de Sao Paulo.
Italian Expressionist Painter and Sculptor, 1884-1920

   
 

 

 
   
      

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Bonnat, LEon

French, 1833-1922

Pintura Identificación::  10932
Self Portrait
Autorretrato
1855. 1' 6" x 1' 2 3/4" ( 46 x 37.5 cm ) Bequest of Mrs. Edouard Kann, 1929.
1855. 1- 6 x 1- 2 3-4 - 46 x 37.5 cm - Bequest of Mrs. Edouard Kann, 1929.
French, 1833-1922

   
 

 

 
   
      

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Kramskoy, Ivan Nikolaevich

Russian Painter, 1837-1887

Pintura Identificación::  19116
Self Portrait
Auto Retrato
1867, oil on canvas, The Tretyakov Gallery, Moscow
1867, engrasan en la lona, La Galería de Tretyakov,Moscú
Russian Painter, 1837-1887

   
 

 

 
   
      

This artist (Piet Mondrian) is not available now.

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Anthony Van Dyck

Dutch 1599-1641 Anthony Van Dyck Locations

Pintura Identificación::  29313
Self Portrait
Auto Retrato
mk65 late 1620s Oil on canvas 46x37"
mk65 tarde 1620 Engrasan en la lona 46x37
Dutch 1599-1641 Anthony Van Dyck Locations

   
 

 

 
   
      

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Daret, Jean

Flemish Baroque Era Painter, 1613-1668

Pintura Identificación::  29316
Self Portrait
Auto Retrato
mk65 1636 Oil on canvas 31x26"
mk65 1636 Engrasan en la lona 31x26
Flemish Baroque Era Painter, 1613-1668

   
 

 

 
   
      

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Anne-Louis Girodet-Trioson

1767-1824 French Anne Louis Girodet Trioson Galleries

Pintura Identificación::  29344
Self Portrait
Auto Retrato
mk65 Oil on canvas 23x18"
el Petróleo mk65 en la lona 23x18
1767-1824 French Anne Louis Girodet Trioson Galleries

   
 

 

 
   
      

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Anselm Feuerbach

1829-1880 German Anselm Feuerbach Location

Pintura Identificación::  29347
Self Portrait
Auto Retrato
mk65 Oil on canvas 36x29"
el Petróleo mk65 en la lona 36x29
1829-1880 German Anselm Feuerbach Location

   
 

 

 
   
      

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Nicolae Grigorescu

Romanian Painter, 1838-1907

Pintura Identificación::  30712
Self Portrait
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nn06 Oil on wood 43x35cm National Art Museum of Romania, Bucharest,
el Petróleo nn06 en la madera 43x35cmMuseo de Arte Nacional de Rumania, Bucarest,
Romanian Painter, 1838-1907

   
 

 

 
   
      

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Nicolae Grigorescu

Romanian Painter, 1838-1907

Pintura Identificación::  30729
Self Portrait
Auto Retrato
nn06 Oil on canvas 61.5x43.5cm National Art Museum of Romania,Bucharest
el Petróleo nn06 en la lona61.5x43.5cm Museo de Arte Nacional de Rumania, Bucarest
Romanian Painter, 1838-1907

   
 

 

 
   
      

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Vincent Van Gogh

Dutch Post-Impressionist Painter, 1853-1890

Pintura Identificación::  30854
Self Portrait
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mk68 Oil on canvas Paris,Orsay Museum 1889 France
el Petróleo mk68 en la lona París, Museo de Orsay 1889 Francia
Dutch Post-Impressionist Painter, 1853-1890

   
 

 

 
   
      

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Anders Zorn

Swedish 1860-1920

Pintura Identificación::  31594
Self Portrait
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mk73 1916 pencil drawing 17.7x12cm
mk73 1916 lápiz que dibuja 17.7x12cm
Swedish 1860-1920

   
 

 

 
   
      

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Bartolome Esteban Murillo

Spanish 1618-1682 Bartolome Esteban Murillo Galleries

Pintura Identificación::  32935
Self Portrait
Auto Retrato
mk84 ca.1670-72 London, National Gallery,canvas 122x107cm
Londres mk84 ca.1670-72, la Galería Nacional, la lona 122x107cm
Spanish 1618-1682 Bartolome Esteban Murillo Galleries

   
 

 

 
   
      

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Anton Raffael Mengs

a pastel portrait painter German,1728-1779

Pintura Identificación::  34292
Self Portrait
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mk91 Oil on panel 102x77
el Petróleo mk91 en pone panel 102x77
a pastel portrait painter German,1728-1779

   
 

 

 
   
      

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LEONARDO da Vinci

Italian High Renaissance Painter and Inventor, 1452-1519

Pintura Identificación::  38428
Self Portrait
Auto Retrato
mk137 ca.1512 Rotel on paper 33.3x21.3cm Biblioteca real, Turin
ca mk137. 1512 Rotel en el papel 33.3x21.3cm Biblioteca verdadero, Turín
Italian High Renaissance Painter and Inventor, 1452-1519

   
 

 

 
   
      

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Salvator Rosa

1615-1673 Italian Salvator Rosa Galleries

Pintura Identificación::  43099
Self portrait
mk170 circa 1645 Oil on canvas 116.3x94cm
1615-1673 Italian Salvator Rosa Galleries

   
 

 

 
   
      

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Egon Schiele

1890-1918 Austrian Egon Schiele Gallery

Pintura Identificación::  47895
Self portrait
mk189 1910 Black chalk watercolour and gouache 44.3x30.5cm
1890-1918 Austrian Egon Schiele Gallery

   
 

 

 
   
      

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Egon Schiele

1890-1918 Austrian Egon Schiele Gallery

Pintura Identificación::  47900
Self portrait
mk189 1911 Pencil,water colour 55.2x36.4cm
1890-1918 Austrian Egon Schiele Gallery

   
 

 

 
   
      

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Egon Schiele

1890-1918 Austrian Egon Schiele Gallery

Pintura Identificación::  47911
Self portrait
mk189 1913 pencil 48x32cm
1890-1918 Austrian Egon Schiele Gallery

   
 

 

 
   
      

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Egon Schiele

1890-1918 Austrian Egon Schiele Gallery

Pintura Identificación::  47913
Self Portrait
mk189 1913 Pencil 44.8x31.3cm
1890-1918 Austrian Egon Schiele Gallery

   
 

 

 
   
      

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Egon Schiele

1890-1918 Austrian Egon Schiele Gallery

Pintura Identificación::  47914
Self Portrait
mk189 1913 postcard
1890-1918 Austrian Egon Schiele Gallery

   
 

 

 
   
      

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Egon Schiele

1890-1918 Austrian Egon Schiele Gallery

Pintura Identificación::  47963
Self Portrait
mk189 1912
1890-1918 Austrian Egon Schiele Gallery

   
 

 

 
   
      

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Egon Schiele

1890-1918 Austrian Egon Schiele Gallery

Pintura Identificación::  47967
Self Portrait
mk189 1913
1890-1918 Austrian Egon Schiele Gallery

   
 

 

 
   
      

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Angelica Kauffmann

Swiss(Resident in England) 1741-1807

Pintura Identificación::  56153
self portrait
mk247 1787,oil on canvas,50.5x93.5 in,128x93.5 cm,uffizi,florence,ltaly
Swiss(Resident in England) 1741-1807

   
 

 

 
   
      

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Sir David Wilkie

1785-1841 British Sir David Wilkie Galleries

Pintura Identificación::  56176
self portrait
mk247 1804,oil on canvas,30x25 in,76x63 cm,national gallery of scotland,edinburgh,uk
1785-1841 British Sir David Wilkie Galleries

   
 

 

 
   
      

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Anselm Feuerbach

1829-1880 German Anselm Feuerbach Location

Pintura Identificación::  56250
self portrait
mk247 c.1860,oil on canvas,36.25x28.75 in,92x73 cm,state hermitage museum,st.petersburg,russia
1829-1880 German Anselm Feuerbach Location

   
 

 

 
   
      

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Max Liebermann

German Impressionist Painter, 1847-1935

Pintura Identificación::  56493
self portrait
mk247 c.1915,oil on canvas,10x7 in,25.7x18.4 cm,uffizi,florece,ltaly
German Impressionist Painter, 1847-1935

   
 

 

 
   
      

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Lavinia Fontana

Italian Painter, 1552-1614

Pintura Identificación::  58421
Self portrait
mk261 Bologna canvas 15.7 centimeters in diameter
Italian Painter, 1552-1614

   
 

 

 
   
      

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Francesco Solimena

1657-1747 Italian Francesco Solimena Gallery

Pintura Identificación::  58469
Self portrait
mk261 1730-1732 Oil Painting on canvas in 130 x 114 cm
1657-1747 Italian Francesco Solimena Gallery

   
 

 

 
   
      

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Pompeo Batoni

Italian 1708-1787 Pompeo Batoni Location

Pintura Identificación::  58475
Self portrait
mk261 Rome 1773-1787 oil painting in canvas 75 x 61 cm
Italian 1708-1787 Pompeo Batoni Location

   
 

 

 
   
      

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Angelica Kauffmann

Swiss(Resident in England) 1741-1807

Pintura Identificación::  58479
Self portrait
years mk261 1787 Oil Painting on canvas 128 x 93.5 cm
Swiss(Resident in England) 1741-1807

   
 

 

 
   
      

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Jean-Louis-Ernest Meissonier

French Academic Painter, 1815-1891

Pintura Identificación::  59886
Self portrait
Self-portrait, oil sketch, ca. 1865.
French Academic Painter, 1815-1891

   
 

 

 
   
      

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Amedeo Modigliani

Italian Expressionist Painter and Sculptor, 1884-1920

Pintura Identificación::  59901
Self portrait
Self-portrait, 1919, oil on canvas, São Paulo Museum of Art, Sao Paulo, Brazil
Italian Expressionist Painter and Sculptor, 1884-1920

   
 

 

 
   
      

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Lilla Cabot Perry

American Impressionist Painter, 1848-1933

Pintura Identificación::  60059
Self Portrait
Self Portrait, 1892
American Impressionist Painter, 1848-1933

   
 

 

 
   
      

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Hyacinthe Rigaud

1659-1743 French Hyacinthe Rigaud Gallery

Pintura Identificación::  60567
Self portrait
Self portrait (1698)
1659-1743 French Hyacinthe Rigaud Gallery

   
 

 

 
   
      

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Paul Cezanne

French Post-Impressionist Painter, 1839-1906

Pintura Identificación::  60820
self portrait
mk273 1875 Oil on canvas 66x 55 cm
French Post-Impressionist Painter, 1839-1906

   
 

 

 
   
      

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Paul Cezanne

French Post-Impressionist Painter, 1839-1906

Pintura Identificación::  60869
self portrait
mk273 1885 Oil on canvas 55.1 x 46.4 cm
French Post-Impressionist Painter, 1839-1906

   
 

 

 
   
      

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Vasily Surikov

Russian Painter, 1848-1916

Pintura Identificación::  60945
Self Portrait
Self-Portrait
Russian Painter, 1848-1916

   
 

 

 
   
      

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James Tissot

French Painter, 1836-1902

Pintura Identificación::  61090
Self Portrait
Self Portrait, ca. 1865
French Painter, 1836-1902

   
 

 

 
   
      

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Anthony Van Dyck

Dutch 1599-1641 Anthony Van Dyck Locations

Pintura Identificación::  61265
Self Portrait
"Self Portrait", ca. 1621 Alte Pinakothek
Dutch 1599-1641 Anthony Van Dyck Locations

   
 

 

 
   
      

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Horace Vernet

French Academic Painter, 1789-1863

Pintura Identificación::  61440
Self portrait
Self-portrait
French Academic Painter, 1789-1863

   
 

 

 
   
      


Pintura Identificación::  61619
Self portrait
Self-portrait ca. 1780, oil on canvas, in the Yale Center for British Art
1734-97

   
 

 

 
   
      


Pintura Identificación::  61623
Self portrait
Self-portrait, 1902
1869-1907

   
 

 

 
   
      

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Joaquin Sorolla

Spanish Realist/Impressionist Painter, 1863-1923

Pintura Identificación::  61815
Self portrait
mk275 1900 Oil on canvas 64 x 53.8 cm Mudd Resor Royar memorial hall
Spanish Realist/Impressionist Painter, 1863-1923

   
 

 

 
   
      

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Joaquin Sorolla

Spanish Realist/Impressionist Painter, 1863-1923

Pintura Identificación::  61816
Self portrait
mk275 1909 Oil on canvas 64 x 53.8 cm New York, USA and Spain Tibetan Cultural Association
Spanish Realist/Impressionist Painter, 1863-1923

   
 

 

 
   
      


Pintura Identificación::  62078
Self portrait
mk276 Florence Museum

   
 

 

 
   
      

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COPLEY, John Singleton

American Colonial Era Painter, 1738-1815

Pintura Identificación::  64558
Self Portrait
1784 Oil on canvas National Portrait Gallery, Smithsonian Institution, Washington Artist:COPLEY, John Singleton Title: Self Portrait, 1751-1800, English , painting , portrait
American Colonial Era Painter, 1738-1815

   
 

 

 
   
      

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Edouard Vuillard

1868-1940 French Edouard Vuillard Galleries

Pintura Identificación::  65676
self portrait
mk287 1891 oil on cardboard private collection
1868-1940 French Edouard Vuillard Galleries

   
 

 

 
   
      

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Edouard Vuillard

1868-1940 French Edouard Vuillard Galleries

Pintura Identificación::  65993
self portrait
Mk288 1903 board paintings 38.7 x 31.8cm private Tibet
1868-1940 French Edouard Vuillard Galleries

   
 

 

 
   
      

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John Singer Sargent

1856-1925 John Singer Sargent Locations

Pintura Identificación::  68239
Self Portrait
1906(1906) Oil on canvas 76.2 x 63.5 cm (30 x 25 in.)
1856-1925 John Singer Sargent Locations

   
 

 

 
   
      

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John Singer Sargent

1856-1925 John Singer Sargent Locations

Pintura Identificación::  68317
Self Portrait
Self Portrait
1856-1925 John Singer Sargent Locations

   
 

 

 
   
      

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Michael Ancher

Danish Painter, 1849-1927

Pintura Identificación::  70343
Self portrait
1902(1902) Oil on canvas 110x88 cm
Danish Painter, 1849-1927

   
 

 

 
   
      

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Samuel van hoogstraten

Dutch Baroque Era Painter, 1627-1678

Pintura Identificación::  70622
Self portrait
Source Unknown
Dutch Baroque Era Painter, 1627-1678

   
 

 

 
   
      

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Sophie Adlersparre

Swedish, 1808-1862

Pintura Identificación::  72048
Self portrait
Date 19th century Medium Oil Current location Unknown [cyf]
Swedish, 1808-1862

   
 

 

 
   
      

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Frederic Bazille

b.Dec. 6, 1841, Montpellier, France d.Nov. 28, 1870, Beaune-la-Rolande French Frederic Bazille Galleries

Pintura Identificación::  72436
Self Portrait
Oil painting reproduction of Frederic Bazille. cjr
b.Dec. 6, 1841, Montpellier, France d.Nov. 28, 1870, Beaune-la-Rolande French Frederic Bazille Galleries

   
 

 

 
   
      

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Frederic Bazille

b.Dec. 6, 1841, Montpellier, France d.Nov. 28, 1870, Beaune-la-Rolande French Frederic Bazille Galleries

Pintura Identificación::  74123
Self Portrait
English: Oil painting reproduction of FrXdXric Bazille. cyf
b.Dec. 6, 1841, Montpellier, France d.Nov. 28, 1870, Beaune-la-Rolande French Frederic Bazille Galleries

   
 

 

 
   
      

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Lucas van Leyden

1489-1533 Dutch Lucas van Leyden Galleries

Pintura Identificación::  75156
Self portrait
Date Deutsch: 1. Drittel 16. Jh. English: 1st third of 16th century Medium Oil on panel cyf
1489-1533 Dutch Lucas van Leyden Galleries

   
 

 

 
   
      

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Tom roberts

British-born Australian Painter, 1856-1931

Pintura Identificación::  77234
Self portrait
oil on canvas, 61.2 x 51.0 cm) by Tom Roberts cyf
British-born Australian Painter, 1856-1931

   
 

 

 
   
      

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Leonor de Almeida Portugal

Leonor de Almeida Portugal de Lorena e Lencastre (Lisboa, 31 de outubro de 1750 - Benfica, 11 de outubro de 1839) foi uma nobre e poetisa portuguesa.

Pintura Identificación::  77506
Self portrait
Date from 1787(1787) until 1790(1790) Medium English: Oil on canvas, on panel Portugues: Óleo sobre tela colada sobre painel Dimensions 27 x 22 x 5 cm (10.6 x 8.7 x 2 in) cyf
Leonor de Almeida Portugal de Lorena e Lencastre (Lisboa, 31 de outubro de 1750 - Benfica, 11 de outubro de 1839) foi uma nobre e poetisa portuguesa.

   
 

 

 
   
      

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Anna Bilinska-Bohdanowicz

(1857-1893) was a Polish painter, known for her portraits. She was born as Anna Biliska, a daughter of Polish doctor in Ukraine, where she spent her childhood. She lived with her father in Russia, before studying music and art in Warsaw. She went later to study at the Academie Julian in Paris. She lived in France until 1892, when she married a medical doctor named Bohdanowicz and she took his name (Anna Bilieska-Bohdanowicz). They returned to Warsaw after their marriage, where she died a year later of heart attack. Her paintings are known from the reproductions of her portraits of women and often reproduced view of the Unter den Linden in Berlin from 1890.

Pintura Identificación::  77518
Self portrait
Date 1892(1892) Medium Oil on canvas Dimensions 113.5 x 163 cm (44.7 x 64.2 in) cyf
(1857-1893) was a Polish painter, known for her portraits. She was born as Anna Biliska, a daughter of Polish doctor in Ukraine, where she spent her childhood. She lived with her father in Russia, before studying music and art in Warsaw. She went later to study at the Academie Julian in Paris. She lived in France until 1892, when she married a medical doctor named Bohdanowicz and she took his name (Anna Bilieska-Bohdanowicz). They returned to Warsaw after their marriage, where she died a year later of heart attack. Her paintings are known from the reproductions of her portraits of women and often reproduced view of the Unter den Linden in Berlin from 1890.

   
 

 

 
   
      

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UNTERBERGER, Michelangelo

Austrian painter (b. 1695, Cavalese, d. 1758, Wien).

Pintura Identificación::  77644
Self portrait
1735 Medium Oil on canvas Dimensions 68.5 x 61.5 cm (27 x 24.2 in) cyf
Austrian painter (b. 1695, Cavalese, d. 1758, Wien).

   
 

 

 
   
      

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Angelica Kauffmann

Swiss(Resident in England) 1741-1807

Pintura Identificación::  77711
Self portrait
1784(1784) Medium Oil on canvas Dimensions 64.8 x 50.7 cm (25.5 x 20 in) cyf
Swiss(Resident in England) 1741-1807

   
 

 

 
   
      

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Pierre Mignard

French Baroque Era Painter, 1612-1695

Pintura Identificación::  77732
Self portrait
1670(1670) Medium Oil on canvas Dimensions 235 x 188 cm (92.5 x 74 in) cyf
French Baroque Era Painter, 1612-1695

   
 

 

 
   
      

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Joseph Mallord William Turner

English Romantic Painter, 1775-1851

Pintura Identificación::  77773
Self portrait
1798(1798) Medium Oil on canvas Dimensions 74 x 58 cm (29.1 x 22.8 in) cyf
English Romantic Painter, 1775-1851

   
 

 

 
   
      


Pintura Identificación::  77927
Self portrait
1832(1832) Medium Oil on canvas cyf

   
 

 

 
   
      

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Angelica Kauffmann

Swiss(Resident in England) 1741-1807

Pintura Identificación::  77935
Self portrait
from 1780(1780) until 1785(1785) Medium Oil on canvas Dimensions 77 x 63 cm (30.3 x 24.8 in) cyf
Swiss(Resident in England) 1741-1807

   
 

 

 
   
      


Pintura Identificación::  78000
Self portrait
1792(1792) Medium Oil on canvas Dimensions 55.5 x 46 cm (21.9 x 18.1 in) cyf

   
 

 

 
   
      

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John Singleton Copley

American Colonial Era Painter, 1738-1815

Pintura Identificación::  78306
Self portrait
1780-1784 Medium Oil on canvas cyf
American Colonial Era Painter, 1738-1815

   
 

 

 
   
      


Pintura Identificación::  78446
Self portrait
1711(1711) Medium Oil cyf

   
 

 

 
   
      

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PUGET, Pierre

French Baroque Era Sculptor, 1620-1694

Pintura Identificación::  78464
Self portrait
17th century Medium Oil on canvas cyf
French Baroque Era Sculptor, 1620-1694

   
 

 

 
   
      

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Anton Raphael Mengs

1728-1779 Dutch Anton Raphael Mengs Gallery

Pintura Identificación::  78577
Self portrait
after 1775(1775) Medium Oil on canvas Dimensions 97.2 x 73 cm (38.3 x 28.7 in) cyf
1728-1779 Dutch Anton Raphael Mengs Gallery

   
 

 

 
   
      

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Joseph Mallord William Turner

English Romantic Painter, 1775-1851

Pintura Identificación::  78619
Self portrait
1798(1798) Medium Oil on canvas Dimensions 58 x 72.5 cm (22.8 x 28.5 in) cyf
English Romantic Painter, 1775-1851

   
 

 

 
   
      

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MOUCHERON, Frederick de

Dutch painter (b. 1633, Emden, d. 1686, Amsterdam)

Pintura Identificación::  78628
Self portrait
1672(1672) Medium Oil on canvas Dimensions 88 x 73 cm (34.6 x 28.7 in) cyf
Dutch painter (b. 1633, Emden, d. 1686, Amsterdam)

   
 

 

 
   
      


Pintura Identificación::  78650
Self portrait
1780(1780) Medium Oil on canvas cyf
1734-97

   
 

 

 
   
      

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Jean-Laurent Mosnier

French portrait Painter , b. ca. 1743, Paris, d. 1808, St. Petersburg

Pintura Identificación::  78660
Self portrait
1786(1786) Medium Oil on canvas cyf
French portrait Painter , b. ca. 1743, Paris, d. 1808, St. Petersburg

   
 

 

 
   
      

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Angelica Kauffmann

Swiss(Resident in England) 1741-1807

Pintura Identificación::  78733
Self portrait
1780(1780) Medium Oil cyf
Swiss(Resident in England) 1741-1807

   
 

 

 
   
      

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Francesco Solimena

1657-1747 Italian Francesco Solimena Gallery

Pintura Identificación::  78811
Self portrait
ca. 1715(1715) Medium Oil on canvas Dimensions 128 x 112 cm (50.4 x 44.1 in) cyf
1657-1747 Italian Francesco Solimena Gallery

   
 

 

 
   
      

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Thomas Gainsborough

1727-1788 British Thomas Gainsborough Locations

Pintura Identificación::  78819
Self portrait
1787(1787) Medium Oil on canvas Dimensions 73.5 x 58.5 cm (28.9 x 23 in) cyf
1727-1788 British Thomas Gainsborough Locations

   
 

 

 
   
      


Pintura Identificación::  78951
Self portrait
ca. 1890(1890) Medium Oil cyf

   
 

 

 
   
      


Pintura Identificación::  78985
Self portrait
ca. 1780(1780) Medium Oil on canvas cyf
1734-97

   
 

 

 
   
      


Pintura Identificación::  78987
Self portrait
1795-1800 Medium Oil on canvas Dimensions 62 x 53 cm (24.4 x 20.9 in) cyf

   
 

 

 
   
      

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Thomas Gainsborough

1727-1788 British Thomas Gainsborough Locations

Pintura Identificación::  79011
Self portrait
1754(1754) Medium Oil on canvas Dimensions 58 x 49 cm (22.8 x 19.3 in) cyf
1727-1788 British Thomas Gainsborough Locations

   
 

 

 
   
      

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MEYTENS, Martin van

Dutch painter (b. 1695, Stockholm, d. 1770, Vienna).

Pintura Identificación::  79012
Self portrait
1740s Medium Oil on canvas Dimensions 65 x 50.2 cm (25.6 x 19.8 in) cyf
Dutch painter (b. 1695, Stockholm, d. 1770, Vienna).

   
 

 

 
   
      

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Artemisia Gentileschi

Italian 1593-1652 Artemisia Gentileschi Gallery

Pintura Identificación::  79240
Self portrait
1615-1617 Medium Oil Dimensions 30 x 28 cm (11.8 x 11 in) cyf
Italian 1593-1652 Artemisia Gentileschi Gallery

   
 

 

 
   
      

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Joseph Mallord William Turner

English Romantic Painter, 1775-1851

Pintura Identificación::  79285
Self portrait
1798(1798) Medium Oil on canvas Dimensions 72.5 x 58 cm (28.5 x 22.8 in) cyf
English Romantic Painter, 1775-1851

   
 

 

 
   
      

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Frederic Bazille

b.Dec. 6, 1841, Montpellier, France d.Nov. 28, 1870, Beaune-la-Rolande French Frederic Bazille Galleries

Pintura Identificación::  79286
Self portrait
19th century Medium Oil cyf
b.Dec. 6, 1841, Montpellier, France d.Nov. 28, 1870, Beaune-la-Rolande French Frederic Bazille Galleries

   
 

 

 
   
      


Pintura Identificación::  79319
Self portrait
. 1780(1780) Medium Oil on canvas cyf
1734-97

   
 

 

 
   
      

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Jean-Laurent Mosnier

French portrait Painter , b. ca. 1743, Paris, d. 1808, St. Petersburg

Pintura Identificación::  79330
Self portrait
1786(1786) Medium Oil on canvas cyf
French portrait Painter , b. ca. 1743, Paris, d. 1808, St. Petersburg

   
 

 

 
   
      

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Jean-Laurent Mosnier

French portrait Painter , b. ca. 1743, Paris, d. 1808, St. Petersburg

Pintura Identificación::  79700
Self portrait
1786(1786) Medium Oil on canvas cyf
French portrait Painter , b. ca. 1743, Paris, d. 1808, St. Petersburg

   
 

 

 
   
      

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James Barry

b.Oct. 11, 1741, Cork, County Cork, Ire. d.Feb. 22, 1806, London, England. Irish James Barry Gallery

Pintura Identificación::  79778
Self portrait
1767(1767) Medium Oil on canvas Dimensions 60.5 x 50 cm (23.8 x 19.7 in) cyf
b.Oct. 11, 1741, Cork, County Cork, Ire. d.Feb. 22, 1806, London, England. Irish James Barry Gallery

   
 

 

 
   
      


Pintura Identificación::  80055
Self portrait
ca. 1530(1530) Medium Oil on canvas cyf

   
 

 

 
   
      

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Anselm Feuerbach

1829-1880 German Anselm Feuerbach Location

Pintura Identificación::  80599
Self portrait
Date 1852(1852) Medium Oil on canvas cjr
1829-1880 German Anselm Feuerbach Location

   
 

 

 
   
      

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antoine pesne

Antoine Pesne, född 23 maj 1683 i Paris, Frankrike, död 5 augusti 1757 i Berlin, Preussen, var en fransk målare under rokokon. Pesne gick i lära hos sin far, målaren Thomas Pesne, samt hos Charles de la Fosse i Paris. Under åren 1705?C1710 företog han en resa i Italien och vistades huvudsakligen i Venedig, där han anslöt sig till Andrea Celesti, vars måleri tydligt påverkade Pesnes tidiga verk. 1710 kallades han av kung Fredrik I av Preussen till Berlin som hovmålare. Därefter företog han under de följande åren kortare resor till hoven i Dessau (1715), Dresden (1718), London (1723) och Paris (1724). 1733 utnämndes Pesne till ledare för konstakademin i Berlin. Han anses vara en viktig förmedlare av den franska konsten till Brandenburg-Preussen. Pesne var i huvudsak verksam som porträttmålare, men han utförde även talrika vägg- och takmålningar för Fredrik den store i de kungliga slotten. Ett av Pesnes mest berömda konstverk är Dansösen Barbara Campanini (cirka 1745). Detta porträtt med sin lätta och schvungfulla formgivning, det spontana penseldraget och de ljusa, pastelliknande färgerna är karakteristiskt för Pesnes arbeten och för rokokon i allmänhet. På ett virtuost sätt framställer Pesne den med tygblommor dekorerade sidenklänningen. Fredrik den store uppskattade sin hovmålares berömda plein-air-porträtt och lät hänga det på en framträdande plats i sitt arbetsrum i slottet i Berlin.

Pintura Identificación::  80696
Self portrait
1754(1754) Medium Oil on canvas Dimensions 167 x 150 cm (65.7 x 59.1 in) cyf
Antoine Pesne, född 23 maj 1683 i Paris, Frankrike, död 5 augusti 1757 i Berlin, Preussen, var en fransk målare under rokokon. Pesne gick i lära hos sin far, målaren Thomas Pesne, samt hos Charles de la Fosse i Paris. Under åren 1705?C1710 företog han en resa i Italien och vistades huvudsakligen i Venedig, där han anslöt sig till Andrea Celesti, vars måleri tydligt påverkade Pesnes tidiga verk. 1710 kallades han av kung Fredrik I av Preussen till Berlin som hovmålare. Därefter företog han under de följande åren kortare resor till hoven i Dessau (1715), Dresden (1718), London (1723) och Paris (1724). 1733 utnämndes Pesne till ledare för konstakademin i Berlin. Han anses vara en viktig förmedlare av den franska konsten till Brandenburg-Preussen. Pesne var i huvudsak verksam som porträttmålare, men han utförde även talrika vägg- och takmålningar för Fredrik den store i de kungliga slotten. Ett av Pesnes mest berömda konstverk är Dansösen Barbara Campanini (cirka 1745). Detta porträtt med sin lätta och schvungfulla formgivning, det spontana penseldraget och de ljusa, pastelliknande färgerna är karakteristiskt för Pesnes arbeten och för rokokon i allmänhet. På ett virtuost sätt framställer Pesne den med tygblommor dekorerade sidenklänningen. Fredrik den store uppskattade sin hovmålares berömda plein-air-porträtt och lät hänga det på en framträdande plats i sitt arbetsrum i slottet i Berlin.

   
 

 

 
   
      

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George Romney

1734-1802 George Romney Galleries

Pintura Identificación::  80737
Self portrait
. 1802(1802) Medium Oil on canvas Dimensions 106 x 81 cm (41.7 x 31.9 in) cyf
1734-1802 George Romney Galleries

   
 

 

 
   
      


Pintura Identificación::  80761
Self portrait
1790(1790) Medium Oil cyf
1718-1793

   
 

 

 
   
      

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Jens Juel

1745-1802 Danish Jens Juel Galleries

Pintura Identificación::  80860
Self portrait
1766(1766) Medium Oil cyf
1745-1802 Danish Jens Juel Galleries

   
 

 

 
   
      

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Henriette Lorimier

(7 August 1775, Paris - 1 April 1854) was a popular portraitist in Paris at the beginning of Romanticism. She lived with the French diplomat and philhellene writer Francois Pouqueville (1770-1838). student of the history painter Jean-Baptiste Regnault, she soon exhibited fine portraits and genre paintings at the Paris' Salons from 1800 to 1806 and from 1810 to 1814. In 1805 Princess Caroline Murat-Bonaparte, a sister of the Emperor, purchased "La Chevre Nourriciere" a painting exhibited at the 1804 Salon and in 1806 Henriette Lorimier was awarded a First Class Medal for her painting of "Jeanne de Navarre" which was then purchased by the Empress Josephine de Beauharnais, consort of the Emperor Napoleon Ier.

Pintura Identificación::  80877
Self portrait
1801(1801) Medium Oil cyf
(7 August 1775, Paris - 1 April 1854) was a popular portraitist in Paris at the beginning of Romanticism. She lived with the French diplomat and philhellene writer Francois Pouqueville (1770-1838). student of the history painter Jean-Baptiste Regnault, she soon exhibited fine portraits and genre paintings at the Paris' Salons from 1800 to 1806 and from 1810 to 1814. In 1805 Princess Caroline Murat-Bonaparte, a sister of the Emperor, purchased "La Chevre Nourriciere" a painting exhibited at the 1804 Salon and in 1806 Henriette Lorimier was awarded a First Class Medal for her painting of "Jeanne de Navarre" which was then purchased by the Empress Josephine de Beauharnais, consort of the Emperor Napoleon Ier.

   
 

 

 
   
      

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Anna Waser

Anna Waser (1678 - 1714) was a Swiss painter .

Pintura Identificación::  81029
Self portrait
1691(1691) Medium Oil on canvas Dimensions 83 x 68 cm (32.7 x 26.8 in) cyf
Anna Waser (1678 - 1714) was a Swiss painter .

   
 

 

 
   
      

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Dandini, Cesare

Italian Baroque Era Painter, 1595-1658

Pintura Identificación::  81159
Self portrait
1635(1635) Medium Oil cyf
Italian Baroque Era Painter, 1595-1658

   
 

 

 
   
      

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Enoch Seeman

Enoch Seeman the Younger was born in Danzig, now Gdansk, Poland, around 1694. His father, also Enoch was born around 1661, and the Seeman family were painters. Having been brought to London from his home of Flanders by his father in 1704, the younger Seeman's painting career as we know it began with a group portrait of the Bisset family in the style of the portraitist Godfrey Kneller, now held at Castle Forbes in Grampian, Scotland, and dated by an inscription 1708. As a painter to the British royal court Seeman the Younger completed portraits of George I, in 1730, in the robes of his coronation and of George II some years later. The first of these pictures is held at the Middle Temple in London, England, and the second is at Windsor Castle in Berkshire, England, part of the royal collection. In 1734, Seeman painted a portrait of Jane Pratt Taylor, daughter of Lord Chief Justice John Pratt. The portrait was sent to William Byrd, II of Westover, in Virginia, where it became part of the largest colonial portrait collection of the early eighteenth-century. The painting is now part of the collection of the Virginia Historical Society. The Yale University Art Gallery owns a portrait of Elihu Yale in 1717 by Seeman and the Metropolitan Museum in New York, USA owns his rendering of Sir James Dashwood, described by the Grove Dictionary of Art as 'Exceptionally lively'. Also by Seeman the younger, Abraham Tucker in 1739 at the National Portrait Gallery in London, England, and various copies of sixteenth and seventeenth century portraits. The National Trust owns two examples of this set of his work - at Dunham Massey in Cheshire, England, a copy of a portrait of Lady Diana Cecil, and at Belton House in Lincolnshire, England, of Lady Cust and her Nine Children.

Pintura Identificación::  81162
Self portrait
1708(1708) Medium Oil on canvas cyf
Enoch Seeman the Younger was born in Danzig, now Gdansk, Poland, around 1694. His father, also Enoch was born around 1661, and the Seeman family were painters. Having been brought to London from his home of Flanders by his father in 1704, the younger Seeman's painting career as we know it began with a group portrait of the Bisset family in the style of the portraitist Godfrey Kneller, now held at Castle Forbes in Grampian, Scotland, and dated by an inscription 1708. As a painter to the British royal court Seeman the Younger completed portraits of George I, in 1730, in the robes of his coronation and of George II some years later. The first of these pictures is held at the Middle Temple in London, England, and the second is at Windsor Castle in Berkshire, England, part of the royal collection. In 1734, Seeman painted a portrait of Jane Pratt Taylor, daughter of Lord Chief Justice John Pratt. The portrait was sent to William Byrd, II of Westover, in Virginia, where it became part of the largest colonial portrait collection of the early eighteenth-century. The painting is now part of the collection of the Virginia Historical Society. The Yale University Art Gallery owns a portrait of Elihu Yale in 1717 by Seeman and the Metropolitan Museum in New York, USA owns his rendering of Sir James Dashwood, described by the Grove Dictionary of Art as 'Exceptionally lively'. Also by Seeman the younger, Abraham Tucker in 1739 at the National Portrait Gallery in London, England, and various copies of sixteenth and seventeenth century portraits. The National Trust owns two examples of this set of his work - at Dunham Massey in Cheshire, England, a copy of a portrait of Lady Diana Cecil, and at Belton House in Lincolnshire, England, of Lady Cust and her Nine Children.

   
 

 

 
   
      

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SIRANI, Elisabetta

Italian Baroque Era Painter, 1638-1665

Pintura Identificación::  81166
Self portrait
1658(1658) Medium Oil cyf
Italian Baroque Era Painter, 1638-1665

   
 

 

 
   
      

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Lovis Corinth

German Painter, 1858-1925

Pintura Identificación::  81251
Self Portrait
1887(1887) Medium Oil on canvas Dimensions 52 x 43.5 cm (20.5 x 17.1 in) cyf
German Painter, 1858-1925

   
 

 

 
   
      

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Thomas Gainsborough

1727-1788 British Thomas Gainsborough Locations

Pintura Identificación::  81390
Self portrait
1758-1759 Medium Oil on canvas Dimensions 76.2 x 63.5 cm (30 x 25 in) cyf
1727-1788 British Thomas Gainsborough Locations

   
 

 

 
   
      

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James Barry

b.Oct. 11, 1741, Cork, County Cork, Ire. d.Feb. 22, 1806, London, England. Irish James Barry Gallery

Pintura Identificación::  81391
Self portrait
1767(1767) Medium Oil on canvas Dimensions 60.5 x 50 cm (23.8 x 19.7 in) cyf
b.Oct. 11, 1741, Cork, County Cork, Ire. d.Feb. 22, 1806, London, England. Irish James Barry Gallery

   
 

 

 
   
      

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Louis Michel van Loo

Louis-Michel van Loo (2 March 1707-20 March 1771) was a French painter. He studied under his father, the painter Jean-Baptiste van Loo, at Turin and Rome, and he won a prize at the Academie Royale de Peinture et de Sculpture in Paris in 1725. With his uncle, the painter Charles-Andre van Loo, he went to Rome in 1727 - 1732, and in 1736 he became court painter to Philip V of Spain at Madrid, where he was a founder-member of the Academy in 1752. He returned to Paris in 1753, and painted many portraits of Louis XV of France. In 1765 he succeeded Charles-Andre as director of the special school of the French academy known as the Ecole Royale des Eleves Proteges. In 1766 he made the portrait of the Portuguese statesman Sebastiao de Melo, Marquis of Pombal. Among his brothers were the painters Francois van Loo (1708 - 1732) and Charles-Amedee-Philippe van Loo (1719 - 1795).

Pintura Identificación::  81397
Self portrait
1762(1762) Medium Oil on canvas Dimensions 130 x 98 cm (51.2 x 38.6 in) cyf
Louis-Michel van Loo (2 March 1707-20 March 1771) was a French painter. He studied under his father, the painter Jean-Baptiste van Loo, at Turin and Rome, and he won a prize at the Academie Royale de Peinture et de Sculpture in Paris in 1725. With his uncle, the painter Charles-Andre van Loo, he went to Rome in 1727 - 1732, and in 1736 he became court painter to Philip V of Spain at Madrid, where he was a founder-member of the Academy in 1752. He returned to Paris in 1753, and painted many portraits of Louis XV of France. In 1765 he succeeded Charles-Andre as director of the special school of the French academy known as the Ecole Royale des Eleves Proteges. In 1766 he made the portrait of the Portuguese statesman Sebastiao de Melo, Marquis of Pombal. Among his brothers were the painters Francois van Loo (1708 - 1732) and Charles-Amedee-Philippe van Loo (1719 - 1795).

   
 

 

 
   
      


Pintura Identificación::  81400
Self portrait
1761(1761) Medium Oil on canvas Dimensions 52.7 x 41.3 cm (20.7 x 16.3 in) cyf

   
 

 

 
   
      

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Anthoni Schoonjans

(1655 - 13 August 1726) was a Flemish painter. He was born in Antwerp and became a pupil of Erasmus Quellinus II and his son Jan-Erasmus Quellinus. He travelled to Rome and like his teachers had done before him, joined the Bentvueghels with the nickname "Parrhasius" in 1674. In Rome he lived with Charles de Vogelaer in the via Margutta and later he lived from 1688-89 in the Corso, near the via di Ripetta. In 1695 he became court painter in Vienna, where he later died. During the course of his lengthy career he also worked in Antwerp, Riems, Lyon, Amsterdam, the Hague, Brno, Dusseldorf, Copenhagen, and Berlin.He is known for portraits and historical allegories, and was the teacher of Georg Gsell.

Pintura Identificación::  81416
Self portrait
oil on canvas 66 x 51.5 cm Date 17th/18th century cjr
(1655 - 13 August 1726) was a Flemish painter. He was born in Antwerp and became a pupil of Erasmus Quellinus II and his son Jan-Erasmus Quellinus. He travelled to Rome and like his teachers had done before him, joined the Bentvueghels with the nickname "Parrhasius" in 1674. In Rome he lived with Charles de Vogelaer in the via Margutta and later he lived from 1688-89 in the Corso, near the via di Ripetta. In 1695 he became court painter in Vienna, where he later died. During the course of his lengthy career he also worked in Antwerp, Riems, Lyon, Amsterdam, the Hague, Brno, Dusseldorf, Copenhagen, and Berlin.He is known for portraits and historical allegories, and was the teacher of Georg Gsell.

   
 

 

 
   
      

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johan gustaf sandberg

Johan Gustaf Sandberg, född 1782, död 1854, var målare; han var professor i teckning vid Konstakademien från 1828, och direktör där 1845?C1853. Sandberg ägnade sig främst åt historiemåleri, med motiv ur nordisk mytologi och svensk historia. Hans främsta verk inom detta område är kalkmålningarna över Gustav Vasa i Uppsala domkyrka. Han målade också en mängd porträtt. Sandberg blev 1794 elev i konstakademins principskola och 1801 i antikskolan, lärde samtidigt musik och klaverspelning och tjänade pengar genom lektioner och genom arbete på kungliga teaterns dekorationsmålarverkstad. Under den följande tiden slöt han sig till den opposition mot akademin, som hade sin medelpunkt i "Sällskapet för konststudium". Tvisten med akademin lade sig snart, Sandberg valdes till ledamot 1821 och blev ordinarie professor 1828. Däremot hade han aldrig tillfälle att göra den för äldre tiders konstnärer obligatoriska studieresan till södern. Han utförde teckningarna till praktverket "Ett år i Sverige" (1827 -35) med bilderna graverade under Christian Didrik Forssells ledning och texten skriven av Anders Abraham Grafström. Under upprepade sommarvistelser på Säfstaholms slott målade Sandberg folktyper och folkdräkter. Åtskilliga porträtt utförde Sandberg för det praktfulla "Galleri af utmärkta svenska lärde, vetenskapsidkare och konstnärer", som han utgav 1835?C42 (100 porträtt, litograferade av J. Cardon).

Pintura Identificación::  81583
Self Portrait
Oil on canvas 28 x 24 cm (11 x 9.4 in) cjr
Johan Gustaf Sandberg, född 1782, död 1854, var målare; han var professor i teckning vid Konstakademien från 1828, och direktör där 1845?C1853. Sandberg ägnade sig främst åt historiemåleri, med motiv ur nordisk mytologi och svensk historia. Hans främsta verk inom detta område är kalkmålningarna över Gustav Vasa i Uppsala domkyrka. Han målade också en mängd porträtt. Sandberg blev 1794 elev i konstakademins principskola och 1801 i antikskolan, lärde samtidigt musik och klaverspelning och tjänade pengar genom lektioner och genom arbete på kungliga teaterns dekorationsmålarverkstad. Under den följande tiden slöt han sig till den opposition mot akademin, som hade sin medelpunkt i "Sällskapet för konststudium". Tvisten med akademin lade sig snart, Sandberg valdes till ledamot 1821 och blev ordinarie professor 1828. Däremot hade han aldrig tillfälle att göra den för äldre tiders konstnärer obligatoriska studieresan till södern. Han utförde teckningarna till praktverket "Ett år i Sverige" (1827 -35) med bilderna graverade under Christian Didrik Forssells ledning och texten skriven av Anders Abraham Grafström. Under upprepade sommarvistelser på Säfstaholms slott målade Sandberg folktyper och folkdräkter. Åtskilliga porträtt utförde Sandberg för det praktfulla "Galleri af utmärkta svenska lärde, vetenskapsidkare och konstnärer", som han utgav 1835?C42 (100 porträtt, litograferade av J. Cardon).

   
 

 

 
   
      

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John Smibert

1688-1751 John Smibert Gallery

Pintura Identificación::  81594
Self portrait
Date from 1728(1728) until 1739(1739) Medium Oil on canvas cyf
1688-1751 John Smibert Gallery

   
 

 

 
   
      

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Mattheus Terwesten

Mattheus Terwesten (1670-1757) was a Dutch painter of portraits, architectural, and historical themes. He was court painter to Frederick William I of Prussia and professor of the art academy in Berlin. Mattheus Terwesten studied with his brother Augustinus Terwesten, Willem Doudyns, and Daniel Mijtens the Younger. In 1695 he traveled via Berlin to Rome, where he stayed until 1699. In Rome he became a member of the painters' circle known as the Bentvueghels, where he earned the nickname "Arend", or eagle. In 1710 he joined his older brother Augustinus and younger brother Ezaias, and when Augustinus died in 1711, he succeeded him as court painter in Berlin, while Ezaias went to Italy, where he married and settled permanently. His pupils were Herman Diederik Cuipers, Pieter van Cuyck (I), Jan van Gool, Johan Graham, Hendrik van Hulst, Jacob van Nachenius, Andries Storck, and his two sons Augustinus (II) and Pieter Terwesten.

Pintura Identificación::  81596
Self portrait
ca. 1705(1705) Medium Oil on canvas cyf
Mattheus Terwesten (1670-1757) was a Dutch painter of portraits, architectural, and historical themes. He was court painter to Frederick William I of Prussia and professor of the art academy in Berlin. Mattheus Terwesten studied with his brother Augustinus Terwesten, Willem Doudyns, and Daniel Mijtens the Younger. In 1695 he traveled via Berlin to Rome, where he stayed until 1699. In Rome he became a member of the painters' circle known as the Bentvueghels, where he earned the nickname "Arend", or eagle. In 1710 he joined his older brother Augustinus and younger brother Ezaias, and when Augustinus died in 1711, he succeeded him as court painter in Berlin, while Ezaias went to Italy, where he married and settled permanently. His pupils were Herman Diederik Cuipers, Pieter van Cuyck (I), Jan van Gool, Johan Graham, Hendrik van Hulst, Jacob van Nachenius, Andries Storck, and his two sons Augustinus (II) and Pieter Terwesten.

   
 

 

 
   
      

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Daniel Gardner

United Kingdom (1750 -1805 ) - Drawer

Pintura Identificación::  81608
Self portrait
1770(1770) Medium Oil on canvas Dimensions 75.2 x 57.5 cm (29.6 x 22.6 in) cyf
United Kingdom (1750 -1805 ) - Drawer

   
 

 

 
   
      

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Antropov, Aleksei

Russian Painter, 1716-1795

Pintura Identificación::  81681
Self portrait
1784(1784) Medium Oil on canvas cyf
Russian Painter, 1716-1795

   
 

 

 
   
      

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CAPRIOLO, Domenico

Italian painter, Venetian school (b. 1494, Venezia, d. 1528, Treviso)

Pintura Identificación::  81730
Self portrait
1512(1512) Medium Oil on canvas cyf
Italian painter, Venetian school (b. 1494, Venezia, d. 1528, Treviso)

   
 

 

 
   
      

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Marie Ellenrieder

Anna Marie Ellenrieder (March 20, 1791 - June 5, 1863, Konstanz) was a German painter. She was born in Konstanz, Germany, the daughter of Konrad and Anna Maria Herrmann, and the granddaughter of Franz Ludwig Herrmann. She studied under the miniature painter Joseph Einsle. Her portraits, similar in style to the ones of Angelica Kauffmann, made her the first woman to enter the Academy of Fine Arts Munich. She spent the time between 1822 and 1824 in Rome, where she became a disciple of Friedrich Johann Overbeck. After this journey, she started painting religious topics such as "Christ Blessing Little Children" and "Mary and the Infant Jesus." Her two paintings "Der 12 jährige Jesus im Tempel / The 12 year old Jesus in the Temple", 1849 (oil on canvas, 203,2 x 139,7 cm) and "Hl Felicitas und ihre sieben Söhne / Holy Felicitas and her Seven Sons", 1847 (oil on canvas, 127 x 177,8 cm) were acquired by Queen Victoria who had been introduced to her work by the Prince Consort, who in turn had encountered the artist on his travels to Rome. They are now part of the Royal Collection in Osborne House. She died in her home town of Konstanz.

Pintura Identificación::  81732
Self portrait
1819(1819) Medium Oil cyf
Anna Marie Ellenrieder (March 20, 1791 - June 5, 1863, Konstanz) was a German painter. She was born in Konstanz, Germany, the daughter of Konrad and Anna Maria Herrmann, and the granddaughter of Franz Ludwig Herrmann. She studied under the miniature painter Joseph Einsle. Her portraits, similar in style to the ones of Angelica Kauffmann, made her the first woman to enter the Academy of Fine Arts Munich. She spent the time between 1822 and 1824 in Rome, where she became a disciple of Friedrich Johann Overbeck. After this journey, she started painting religious topics such as "Christ Blessing Little Children" and "Mary and the Infant Jesus." Her two paintings "Der 12 jährige Jesus im Tempel / The 12 year old Jesus in the Temple", 1849 (oil on canvas, 203,2 x 139,7 cm) and "Hl Felicitas und ihre sieben Söhne / Holy Felicitas and her Seven Sons", 1847 (oil on canvas, 127 x 177,8 cm) were acquired by Queen Victoria who had been introduced to her work by the Prince Consort, who in turn had encountered the artist on his travels to Rome. They are now part of the Royal Collection in Osborne House. She died in her home town of Konstanz.

   
 

 

 
   
      

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Sir Godfrey Kneller

1649-1723 Dutch (Resident in UK) Sir Godfrey Kneller Galleries

Pintura Identificación::  81744
Self portrait
1685(1685) Medium Oil on canvas Dimensions 75.6 x 62.9 cm (29.8 x 24.8 in) cyf
1649-1723 Dutch (Resident in UK) Sir Godfrey Kneller Galleries

   
 

 

 
   
      

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Peter Johannes Brandl

Petr Brandl (Peter Johannes Brandl or Jan Petr Brandl) (October 24, 1668 - September 24, 1735) was a painter of the late Baroque, famous in his time but - due to isolation behind the Iron Curtain - rather forgotten until recently. He was of German-speaking Austrian descent in the bilingual kingdom of Bohemia. His mother was from Czech peasant family, that lived in Přestanice (a village in Bohemia, now part of Hlavnovice). According to the Grove Dictionary of Art and other sources, Brandl was born into a craftsmanes family (his father seems to have been a goldsmith) and apprenticed around 1683 - 1688 to Kristien Schröder (1655 - 1702). Brandl employed strong chiaroscuro, areas of heavy impasto and very plastic as well as dramatic figures. The major art museum in Prague, called the National Gallery, has an entire hall devoted to the artist's works, including the wonderful "Bust of an Apostle" from some time before 1725.

Pintura Identificación::  81772
Self portrait
1725(1725) Medium Oil on canvas Dimensions 68 x 54 cm (26.8 x 21.3 in) cyf
Petr Brandl (Peter Johannes Brandl or Jan Petr Brandl) (October 24, 1668 - September 24, 1735) was a painter of the late Baroque, famous in his time but - due to isolation behind the Iron Curtain - rather forgotten until recently. He was of German-speaking Austrian descent in the bilingual kingdom of Bohemia. His mother was from Czech peasant family, that lived in Přestanice (a village in Bohemia, now part of Hlavnovice). According to the Grove Dictionary of Art and other sources, Brandl was born into a craftsmanes family (his father seems to have been a goldsmith) and apprenticed around 1683 - 1688 to Kristien Schröder (1655 - 1702). Brandl employed strong chiaroscuro, areas of heavy impasto and very plastic as well as dramatic figures. The major art museum in Prague, called the National Gallery, has an entire hall devoted to the artist's works, including the wonderful "Bust of an Apostle" from some time before 1725.

   
 

 

 
   
      


Pintura Identificación::  81793
Self portrait
1822(1822) Medium Oil cyf
1741-1827

   
 

 

 
   
      

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Jan van Gool

Johan, or Jan van Gool (1685 - 1763) was a Dutch painter and writer from The Hague, now remembered mainly as a biographer of artists from the Dutch Golden Age. According to the RKD he learned to paint from Simon van der Does and Mattheus Terwesten. He became a member of the Confrerie Pictura in 1711. He was first regent, and then five years later became director, of the Hague Drawing School from 1720-1734. He spent most of his time in the Hague, but travelled to England twice and is recorded there in 1711. He specialized in Italianate landscapes. He is best known today for his book of artist biographies, otherwise known as the "Nieuw Schouburg". The full title is De Nieuwe Schouburg der Nederlantsche kunstschilders en schilderessen: Waer in de Levens- en Kunstbedryven der tans levende en reets overleedene Schilders, die van Houbraken, noch eenig ander schryver, zyn aengeteekend, verhaelt worden. (The Hague, 1750).

Pintura Identificación::  81808
Self portrait
1750(1750) Medium Oil on panel Dimensions 28.8 x 23.5 cm (11.3 x 9.3 in) cyf
Johan, or Jan van Gool (1685 - 1763) was a Dutch painter and writer from The Hague, now remembered mainly as a biographer of artists from the Dutch Golden Age. According to the RKD he learned to paint from Simon van der Does and Mattheus Terwesten. He became a member of the Confrerie Pictura in 1711. He was first regent, and then five years later became director, of the Hague Drawing School from 1720-1734. He spent most of his time in the Hague, but travelled to England twice and is recorded there in 1711. He specialized in Italianate landscapes. He is best known today for his book of artist biographies, otherwise known as the "Nieuw Schouburg". The full title is De Nieuwe Schouburg der Nederlantsche kunstschilders en schilderessen: Waer in de Levens- en Kunstbedryven der tans levende en reets overleedene Schilders, die van Houbraken, noch eenig ander schryver, zyn aengeteekend, verhaelt worden. (The Hague, 1750).

   
 

 

 
   
      

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Hermann Faber

1832-1913

Pintura Identificación::  81826
Self portrait
1767(1767) Medium Oil on canvas Dimensions 120.5 x 85.5 cm (47.4 x 33.7 in) cyf
1832-1913

   
 

 

 
   
      

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Peter Johannes Brandl

Petr Brandl (Peter Johannes Brandl or Jan Petr Brandl) (October 24, 1668 - September 24, 1735) was a painter of the late Baroque, famous in his time but - due to isolation behind the Iron Curtain - rather forgotten until recently. He was of German-speaking Austrian descent in the bilingual kingdom of Bohemia. His mother was from Czech peasant family, that lived in Přestanice (a village in Bohemia, now part of Hlavnovice). According to the Grove Dictionary of Art and other sources, Brandl was born into a craftsmanes family (his father seems to have been a goldsmith) and apprenticed around 1683 - 1688 to Kristien Schröder (1655 - 1702). Brandl employed strong chiaroscuro, areas of heavy impasto and very plastic as well as dramatic figures. The major art museum in Prague, called the National Gallery, has an entire hall devoted to the artist's works, including the wonderful "Bust of an Apostle" from some time before 1725.

Pintura Identificación::  81836
Self portrait
1700(1700) Medium Oil on wood Dimensions 73 x 55 cm (28.7 x 21.7 in) cyf
Petr Brandl (Peter Johannes Brandl or Jan Petr Brandl) (October 24, 1668 - September 24, 1735) was a painter of the late Baroque, famous in his time but - due to isolation behind the Iron Curtain - rather forgotten until recently. He was of German-speaking Austrian descent in the bilingual kingdom of Bohemia. His mother was from Czech peasant family, that lived in Přestanice (a village in Bohemia, now part of Hlavnovice). According to the Grove Dictionary of Art and other sources, Brandl was born into a craftsmanes family (his father seems to have been a goldsmith) and apprenticed around 1683 - 1688 to Kristien Schröder (1655 - 1702). Brandl employed strong chiaroscuro, areas of heavy impasto and very plastic as well as dramatic figures. The major art museum in Prague, called the National Gallery, has an entire hall devoted to the artist's works, including the wonderful "Bust of an Apostle" from some time before 1725.

   
 

 

 
   
      

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Sarah Miriam Peale

(Philadelphia, Pennsylvania, May 19, 1800 - February 4, 1885, Philadelphia) was an American portrait painter, one of the notable family of artists descended from the miniaturist and still-life painter James Peale, who was her father. She is noted as a portrait painter, mainly of politicians and military figures. Lafayette sat for her four times. Sarah was James Peale's youngest daughter and was trained by her father, and uncle Charles Willson Peale. She served as a studio assistant to her father. Her first public works date from 1816 with subjects such as flowers and still-life but soon turned to portraiture, In 1818, she spent three months with Rembrandt Peale, her cousin, in Baltimore, and again in 1820 and 1822. He influenced her painting style and subject matter. For 25 years, she painted in Baltimore (1822-47) and, intermittently, in Washington, D.C. She was accepted to the Pennsylvania Academy of Fine Arts in 1824 along with her sister Anna Claypoole Peale, the first women to achieve this distinction. Over 100 commissioned portrait paintings are known from her time in Baltimore and she was the most prolific artist in the city during that era. Her subjects were wealthy Baltimore residents and politicians from Washington DC.

Pintura Identificación::  81846
Self portrait
1818(1818) Medium Oil cyf
(Philadelphia, Pennsylvania, May 19, 1800 - February 4, 1885, Philadelphia) was an American portrait painter, one of the notable family of artists descended from the miniaturist and still-life painter James Peale, who was her father. She is noted as a portrait painter, mainly of politicians and military figures. Lafayette sat for her four times. Sarah was James Peale's youngest daughter and was trained by her father, and uncle Charles Willson Peale. She served as a studio assistant to her father. Her first public works date from 1816 with subjects such as flowers and still-life but soon turned to portraiture, In 1818, she spent three months with Rembrandt Peale, her cousin, in Baltimore, and again in 1820 and 1822. He influenced her painting style and subject matter. For 25 years, she painted in Baltimore (1822-47) and, intermittently, in Washington, D.C. She was accepted to the Pennsylvania Academy of Fine Arts in 1824 along with her sister Anna Claypoole Peale, the first women to achieve this distinction. Over 100 commissioned portrait paintings are known from her time in Baltimore and she was the most prolific artist in the city during that era. Her subjects were wealthy Baltimore residents and politicians from Washington DC.

   
 

 

 
   
      


Pintura Identificación::  81847
Self portrait
1692(1692) Medium Oil on canvas Dimensions 63 x 49 cm (24.8 x 19.3 in) cyf

   
 

 

 
   
      

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David Allan

13 February 1744 C 6 August 1796) was a Scottish painter, best known for historical subjects. He was born at Alloa in central Scotland. On leaving Foulis's academy of painting at Glasgow (1762), after seven years' successful study, he obtained the patronage of Lord Cathcart and of Erskine of Mar, on whose estate he had been born. Erskine made it possible for him to travel to Rome (1764), where he remained for several years engaged principally in copying the old masters. Among the original works which he then painted was the "Origin of Portraiture", now in the National Gallery at Edinburgh--representing a Corinthian maid drawing her lover's shadow--well known through Domenico Cunego's excellent engraving. This won him the gold medal given by the Academy of St Luke in the year 1773 for the best specimen of historical composition.

Pintura Identificación::  81880
Self portrait
1770(1770) Medium Oil on canvas cyf
13 February 1744 C 6 August 1796) was a Scottish painter, best known for historical subjects. He was born at Alloa in central Scotland. On leaving Foulis's academy of painting at Glasgow (1762), after seven years' successful study, he obtained the patronage of Lord Cathcart and of Erskine of Mar, on whose estate he had been born. Erskine made it possible for him to travel to Rome (1764), where he remained for several years engaged principally in copying the old masters. Among the original works which he then painted was the "Origin of Portraiture", now in the National Gallery at Edinburgh--representing a Corinthian maid drawing her lover's shadow--well known through Domenico Cunego's excellent engraving. This won him the gold medal given by the Academy of St Luke in the year 1773 for the best specimen of historical composition.

   
 

 

 
   
      

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Anne-Louis Girodet de Roussy-Trioson

(also given as Anne-Louis Girodet de Roucy-Triosson, Anne-Louis Girodet-Trioson) January 5, 1767 - December 9, 1824), was a French painter and pupil of Jacques-Louis David, who was part of the beginning of the Romantic movement by adding elements of eroticism through his paintings. Girodet is remembered for his precise and clear style and for his paintings of members of the Napoleonic family.

Pintura Identificación::  81886
Self portrait
ca. 1790(1790) Medium Oil cyf
(also given as Anne-Louis Girodet de Roucy-Triosson, Anne-Louis Girodet-Trioson) January 5, 1767 - December 9, 1824), was a French painter and pupil of Jacques-Louis David, who was part of the beginning of the Romantic movement by adding elements of eroticism through his paintings. Girodet is remembered for his precise and clear style and for his paintings of members of the Napoleonic family.

   
 

 

 
   
      

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KUPECKY, Jan

Bohemian Baroque Era Painter, 1667-1740

Pintura Identificación::  81889
Self portrait
1711(1711) Medium Oil on canvas Dimensions 94 x 74 cm (37 x 29.1 in) cyf
Bohemian Baroque Era Painter, 1667-1740

   
 

 

 
   
      

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Peter Johannes Brandl

Petr Brandl (Peter Johannes Brandl or Jan Petr Brandl) (October 24, 1668 - September 24, 1735) was a painter of the late Baroque, famous in his time but - due to isolation behind the Iron Curtain - rather forgotten until recently. He was of German-speaking Austrian descent in the bilingual kingdom of Bohemia. His mother was from Czech peasant family, that lived in Přestanice (a village in Bohemia, now part of Hlavnovice). According to the Grove Dictionary of Art and other sources, Brandl was born into a craftsmanes family (his father seems to have been a goldsmith) and apprenticed around 1683 - 1688 to Kristien Schröder (1655 - 1702). Brandl employed strong chiaroscuro, areas of heavy impasto and very plastic as well as dramatic figures. The major art museum in Prague, called the National Gallery, has an entire hall devoted to the artist's works, including the wonderful "Bust of an Apostle" from some time before 1725.

Pintura Identificación::  81917
Self portrait
1722 - 1725 Medium Oil on canvas Dimensions 68 x 54 cm (26.8 x 21.3 in) cyf
Petr Brandl (Peter Johannes Brandl or Jan Petr Brandl) (October 24, 1668 - September 24, 1735) was a painter of the late Baroque, famous in his time but - due to isolation behind the Iron Curtain - rather forgotten until recently. He was of German-speaking Austrian descent in the bilingual kingdom of Bohemia. His mother was from Czech peasant family, that lived in Přestanice (a village in Bohemia, now part of Hlavnovice). According to the Grove Dictionary of Art and other sources, Brandl was born into a craftsmanes family (his father seems to have been a goldsmith) and apprenticed around 1683 - 1688 to Kristien Schröder (1655 - 1702). Brandl employed strong chiaroscuro, areas of heavy impasto and very plastic as well as dramatic figures. The major art museum in Prague, called the National Gallery, has an entire hall devoted to the artist's works, including the wonderful "Bust of an Apostle" from some time before 1725.

   
 

 

 
   
      

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Cristobal Rojas

Cristobal Rojas (Cua, Miranda, 15 December 1857 e Caracas, 8 November 1890) was one of the most important and high-profile Venezuelan painters of the 19th century. Rojas's styles varied considerably throughout his life, and he displayed talents in painting that ranged primarily for dramatic effect, to works done in the Impressionist style. Cristebal Rojas Poleo was born in the city of Cea in the Valles del Tuy to parents who worked in the medical profession. Part of his childhood occurred during the middle of the federal war (1859 - 1863) and Cea was particularly affected by the events of the war. He initiated studies under his grandfather, Jose Luis Rojas, who taught him how to draw and motivated him to improve. At 13 years old, his father died and he was forced to begin work in a tobacco factory in Cea to help support his family. In 1878, an earthquake devastated the Valles del Tuy region, and the Rojas faced poverty. As a result he moved to Caracas where he continued his painting studies, despite again having to work in the tobacco industry to support his mother and family. In Caracas he attended classes by Jose Manuel Mauco at the Universidad Central de Venezuela. Between 1880 and 1882, he developed a keen interest in oils and displayed a primitive technique that would prevail in his later paintings such as Ruinas de Cea despues del Terremoto and Ruinas del templo de la Merced. During this time he became acquainted with the painter Antonio Herrera Toro, also coming under contract as Toro's assistant to paint Caracas Cathedral.

Pintura Identificación::  81924
Self portrait
1887(1887) Medium Oil on canvas Dimensions 60.5 x 50 cm (23.8 x 19.7 in) cyf
Cristobal Rojas (Cua, Miranda, 15 December 1857 e Caracas, 8 November 1890) was one of the most important and high-profile Venezuelan painters of the 19th century. Rojas's styles varied considerably throughout his life, and he displayed talents in painting that ranged primarily for dramatic effect, to works done in the Impressionist style. Cristebal Rojas Poleo was born in the city of Cea in the Valles del Tuy to parents who worked in the medical profession. Part of his childhood occurred during the middle of the federal war (1859 - 1863) and Cea was particularly affected by the events of the war. He initiated studies under his grandfather, Jose Luis Rojas, who taught him how to draw and motivated him to improve. At 13 years old, his father died and he was forced to begin work in a tobacco factory in Cea to help support his family. In 1878, an earthquake devastated the Valles del Tuy region, and the Rojas faced poverty. As a result he moved to Caracas where he continued his painting studies, despite again having to work in the tobacco industry to support his mother and family. In Caracas he attended classes by Jose Manuel Mauco at the Universidad Central de Venezuela. Between 1880 and 1882, he developed a keen interest in oils and displayed a primitive technique that would prevail in his later paintings such as Ruinas de Cea despues del Terremoto and Ruinas del templo de la Merced. During this time he became acquainted with the painter Antonio Herrera Toro, also coming under contract as Toro's assistant to paint Caracas Cathedral.

   
 

 

 
   
      

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Mortimer Menpes

British Painter, 1855-1939

Pintura Identificación::  82038
Self portrait
Date before 1779(1779) Medium Oil on wood Dimensions 314 x 254 cm (123.6 x 100 in) cyf
British Painter, 1855-1939

   
 

 

 
   
      

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Bernhard Rode

Bernhard Rode (25 July 1725 - died 28 June 1797) was a Prussian artist and engraver well-known for portraying historical scenes and allegorical works. He knew most of the central figures in the Berlin Enlightenment as Friedrich Nicolai and Gotthold Lessing, and the philosophical and political discussions of the Berlin Philosophs informed much of the subject matter of his artistic work. His paintings include several works depicting, in various guises, the King of Prussia Frederick the Great, who ruled the Prussia during much of Rode's lifetime. Rode was director of the Berlin Academy of the Arts from 1783 until his death in 1797. Rode was the son of a goldsmith Christian Bernhard Rode and his wife, Anna Sophie. The copper engraver Johann Heinrich Rode and the sculptor Philipp Rode were his brothers. He received his earliest artistic training from his father and his earliest training in drawing from a painter, N. Meller. His four-year education at the studio of the court painter Antoine Pesne, an influential painter in Berlin and Brandenburg, was important to his professional development. During his apprenticeship, he learned to paint portraits. In 1748, Rode began a study trip of several years. He spent 18 months in the studio of Jean Restout and Charles Andre van Loo (sometimes known as Carle van Loo or Vanloo). He became acquainted with Jean-Baptiste Deshayes and developed his talent and interest in the medium of history painting. In Venice and Rome, he studied the old masters. In 1755 or 1756, he returned to Berlin, and he married Sophie Luise, but the earliest years of their marriage remained childless.

Pintura Identificación::  82155
Self portrait
1786(1786) Medium Oil on canvas Dimensions 46.8 x 36.8 cm (18.4 x 14.5 in) cyf
Bernhard Rode (25 July 1725 - died 28 June 1797) was a Prussian artist and engraver well-known for portraying historical scenes and allegorical works. He knew most of the central figures in the Berlin Enlightenment as Friedrich Nicolai and Gotthold Lessing, and the philosophical and political discussions of the Berlin Philosophs informed much of the subject matter of his artistic work. His paintings include several works depicting, in various guises, the King of Prussia Frederick the Great, who ruled the Prussia during much of Rode's lifetime. Rode was director of the Berlin Academy of the Arts from 1783 until his death in 1797. Rode was the son of a goldsmith Christian Bernhard Rode and his wife, Anna Sophie. The copper engraver Johann Heinrich Rode and the sculptor Philipp Rode were his brothers. He received his earliest artistic training from his father and his earliest training in drawing from a painter, N. Meller. His four-year education at the studio of the court painter Antoine Pesne, an influential painter in Berlin and Brandenburg, was important to his professional development. During his apprenticeship, he learned to paint portraits. In 1748, Rode began a study trip of several years. He spent 18 months in the studio of Jean Restout and Charles Andre van Loo (sometimes known as Carle van Loo or Vanloo). He became acquainted with Jean-Baptiste Deshayes and developed his talent and interest in the medium of history painting. In Venice and Rome, he studied the old masters. In 1755 or 1756, he returned to Berlin, and he married Sophie Luise, but the earliest years of their marriage remained childless.

   
 

 

 
   
      

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Joseph Siffred Duplessis

French Painter, 1725-1802

Pintura Identificación::  82160
Self portrait
ca. 1801(1801) Medium Oil on canvas Dimensions 58 x 49 cm (22.8 x 19.3 in) cyf
French Painter, 1725-1802

   
 

 

 
   
      

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Alexis Simon Belle

(12 January 1674 - 21 November 1734) was a French portrait painter, known for his portraits of the French and Jacobite nobility. Belle was born in Paris, the second child and only son of Jean-Baptiste Belle (born before 1642, died 1703), also a painter, and of Anne his wife (died 1705). Belle's birth and baptism are recorded in the parish register of the church of Saint-Sulpice, Paris, and quoted in Eugene Piot's Le Cabinet de l'amateur for the years 1861 and 1862

Pintura Identificación::  82228
Self portrait
Date between 1700(1700) and 1725(1725) Medium Oil on canvas Dimensions 99 x 65 cm (39 x 25.6 in) cyf
(12 January 1674 - 21 November 1734) was a French portrait painter, known for his portraits of the French and Jacobite nobility. Belle was born in Paris, the second child and only son of Jean-Baptiste Belle (born before 1642, died 1703), also a painter, and of Anne his wife (died 1705). Belle's birth and baptism are recorded in the parish register of the church of Saint-Sulpice, Paris, and quoted in Eugene Piot's Le Cabinet de l'amateur for the years 1861 and 1862

   
 

 

 
   
      

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Hugh Ramsay

Australian portrait painter , 1877 - 1906

Pintura Identificación::  82356
Self portrait
oil on canvas, 36.0 x 46.0 cm, by Hugh Ramsay Date 1901(1901) cyf
Australian portrait painter , 1877 - 1906

   
 

 

 
   
      

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Ilia Efimovich Repin

impression artist Russian, 1844?C1930

Pintura Identificación::  82453
Self portrait
1878 Medium Oil on canvas Dimensions 69.5 x 49.6 cm (27.4 x 19.5 in) cyf
impression artist Russian, 1844?C1930

   
 

 

 
   
      

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Allan Ramsay

1713-1784 British Allan Ramsay Galleries

Pintura Identificación::  82590
Self portrait
1737-1739 Medium Oil on canvas Dimensions 61 x 46.4 cm (24 x 18.3 in) cyf
1713-1784 British Allan Ramsay Galleries

   
 

 

 
   
      

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Rembrandt Peale

1778-1860 Rembrandt Peale Galleries

Pintura Identificación::  82662
Self portrait
1634 Medium Oil on oak panel Dimensions 58.3 x 47.4 cm (23 x 18.7 in) cyf
1778-1860 Rembrandt Peale Galleries

   
 

 

 
   
      

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Rembrandt Peale

1778-1860 Rembrandt Peale Galleries

Pintura Identificación::  82715
Self portrait
1660 Medium Oil on canvas Dimensions 80.3 x 67.3 cm (31.6 x 26.5 in) cyf
1778-1860 Rembrandt Peale Galleries

   
 

 

 
   
      

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Jacques-Louis David

French b.Aug. 30, 1748, Paris d.Dec. 29, 1825, Brussels

Pintura Identificación::  82728
Self portrait
1794(1794) Medium Oil on canvas Dimensions 80.5 x 64.1 cm (31.7 x 25.2 in) cyf
French b.Aug. 30, 1748, Paris d.Dec. 29, 1825, Brussels

   
 

 

 
   
      

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Cornelis Saftleven

(c. 1607, Gorinchem - 1 June 1681, Rotterdam) was a Dutch Golden Age painter He was born into a family of artists, and learned to paint from his father Herman, along with his brothers Abraham and Herman Saftleven the Younger. He lived for a time in Utrecht with his brother. Saftleven's subject matter covered various subjects, including genre works, portraits, beach scenes, and biblical and mythological themes. Some consider his images of Hell to be his most individual contribution to Dutch painting

Pintura Identificación::  82747
Self portrait
ca. 1629(1629) Medium Oil on panel cyf
(c. 1607, Gorinchem - 1 June 1681, Rotterdam) was a Dutch Golden Age painter He was born into a family of artists, and learned to paint from his father Herman, along with his brothers Abraham and Herman Saftleven the Younger. He lived for a time in Utrecht with his brother. Saftleven's subject matter covered various subjects, including genre works, portraits, beach scenes, and biblical and mythological themes. Some consider his images of Hell to be his most individual contribution to Dutch painting

   
 

 

 
   
      

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Anna Waser

Anna Waser (1678 - 1714) was a Swiss painter .

Pintura Identificación::  82752
Self portrait
1691(1691) Medium Oil on canvas Dimensions 83 x 68 cm (32.7 x 26.8 in) cyf
Anna Waser (1678 - 1714) was a Swiss painter .

   
 

 

 
   
      

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Jean-Baptiste Santerre

French Baroque Era Painter, 1651-1717

Pintura Identificación::  82754
Self portrait
1704(1704) Medium Oil on canvas Dimensions 90 x 80 cm (35.4 x 31.5 in) cyf
French Baroque Era Painter, 1651-1717

   
 

 

 
   
      

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Thomas Beach

British Painter, 1738-1806

Pintura Identificación::  82761
Self portrait
1802(1802) Medium Oil on canvas Dimensions 75.7 x 62.5 cm (29.8 x 24.6 in) cyf
British Painter, 1738-1806

   
 

 

 
   
      

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Sofonisba Anguissola

Italian 1532-1625

Pintura Identificación::  82787
Self Portrait
oil on canvas, 66x57cm Date 1556/56 cyf
Italian 1532-1625

   
 

 

 
   
      

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Jacques-Louis David

French b.Aug. 30, 1748, Paris d.Dec. 29, 1825, Brussels

Pintura Identificación::  82791
Self portrait
1794(1794) Medium Oil on canvas Dimensions 80.5 x 64.1 cm (31.7 x 25.2 in) cyf
French b.Aug. 30, 1748, Paris d.Dec. 29, 1825, Brussels

   
 

 

 
   
      


Pintura Identificación::  82838
Self portrait
1784-85 Medium Oil on canvas Dimensions 63 x 51.1 cm (24.8 x 20.1 in) cyf

   
 

 

 
   
      

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Ludovike Simanowiz

Deutsch: Friedrich Schiller (1759 - 1805), Ölgemälde von Ludovike Simanowiz 1793/94 English: Friedrich Schiller, German poet, philosopher, historian, and dramatist

Pintura Identificación::  82840
Self portrait
1791(1791) Medium Oil cyf
Deutsch: Friedrich Schiller (1759 - 1805), Ölgemälde von Ludovike Simanowiz 1793/94 English: Friedrich Schiller, German poet, philosopher, historian, and dramatist

   
 

 

 
   
      

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Johann Heinrich Roos

German Baroque Era Painter, 1631-1685

Pintura Identificación::  82841
Self portrait
1682(1682) Medium Oil on canvas Dimensions 83 x 60 cm (32.7 x 23.6 in) cyf
German Baroque Era Painter, 1631-1685

   
 

 

 
   
      

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Pietro Antonio Rotari

Italian painter , (b. 1707, Verona, d. 1762, St. Petersburg)

Pintura Identificación::  83028
Self portrait
1756 (?) Medium Oil cyf
Italian painter , (b. 1707, Verona, d. 1762, St. Petersburg)

   
 

 

 
   
      

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Constance Mayer

Marie-Françoise-Constance Mayer-Lamartiniere French Neoclassical Painter, 1775-1821

Pintura Identificación::  83222
Self portrait
Date 1801 cyf
Marie-Françoise-Constance Mayer-Lamartiniere French Neoclassical Painter, 1775-1821

   
 

 

 
   
      

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Marianne von Werefkin

Marianne von Werefkin (Russian, 10 September 1860, Tula, Russia - 6 February 1938, Ascona, Switzerland), born Marianna Wladimirowna Werewkina (transliteration Marianna Vladimirovna Verevkina), was a Russian-Swiss Expressionist painter. Marianne von Werefkin was born the daughter of the commander of the Ekaterinaburg Regiment. In 1880, she became a student of Ilya Repin, the most important painter of Russian Realism. Her progress was dealt a setback by a hunting accident in 1888 in which she shot her right hand, the one with which she painted. In 1892 she met Alexej von Jawlensky, who desired to be her protege, and in 1896 she, Jawlensky, and their servant moved to Munich. For the sake of Jawlensky's painting, Werefkin interrupted her painting for almost ten years. She created her first expressionist works in 1907. In these she followed Paul Gauguin's and Louis Anquetin's style of "surface painting", while also showing the influence of Edvard Munch. In 1909, the Neue Kenstlervereinigung Menchen (New Association of Artists in Munich, NKVM) was founded. It became a forum of exhibitions and programming. At the outbreak of the First World War, they immigrated to Switzerland, near Geneva. They later moved to Zurich. By 1918, they had separated, and Werefkin moved alone to Ascona, on Lago Maggiore. In 1924 she founded the artist group "Grober Bar" (i.e., Big Bear, Ursa Major).

Pintura Identificación::  83434
Self portrait
1910(1910) Medium Oil on canvas cyf
Marianne von Werefkin (Russian, 10 September 1860, Tula, Russia - 6 February 1938, Ascona, Switzerland), born Marianna Wladimirowna Werewkina (transliteration Marianna Vladimirovna Verevkina), was a Russian-Swiss Expressionist painter. Marianne von Werefkin was born the daughter of the commander of the Ekaterinaburg Regiment. In 1880, she became a student of Ilya Repin, the most important painter of Russian Realism. Her progress was dealt a setback by a hunting accident in 1888 in which she shot her right hand, the one with which she painted. In 1892 she met Alexej von Jawlensky, who desired to be her protege, and in 1896 she, Jawlensky, and their servant moved to Munich. For the sake of Jawlensky's painting, Werefkin interrupted her painting for almost ten years. She created her first expressionist works in 1907. In these she followed Paul Gauguin's and Louis Anquetin's style of "surface painting", while also showing the influence of Edvard Munch. In 1909, the Neue Kenstlervereinigung Menchen (New Association of Artists in Munich, NKVM) was founded. It became a forum of exhibitions and programming. At the outbreak of the First World War, they immigrated to Switzerland, near Geneva. They later moved to Zurich. By 1918, they had separated, and Werefkin moved alone to Ascona, on Lago Maggiore. In 1924 she founded the artist group "Grober Bar" (i.e., Big Bear, Ursa Major).

   
 

 

 
   
      

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Mary Beale

English Baroque Era Painter, 1633-1699

Pintura Identificación::  83633
Self portrait
. 1675 - 1680 Medium Oil on sacking cyf
English Baroque Era Painter, 1633-1699

   
 

 

 
   
      

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Pehr Hillestrom

Pehr Hilleström (1732-1816) var en svensk målare och vävare, professor vid Konstakademiens läroverk från 1794 och dess direktör från 1810. I unga år var han en av Sveriges främsta gobelängvävare men övergick sedan till måleri. Han är mest känd för sina vardagsskildringar av sin tids levnadssätt. Han målade pigor och tjänstefolk som arbetar, överklassen i de fina salarna, enkelt folk i stugorna och bilder från olika bruksmiljöer. Genom det räknas han som den största skildraren av den gustavianska samtiden. Pehr Hilleström är far till konstnären Carl Petter Hilleström och farfars farfars far till Gustaf Hilleström. Pehr Hilleström föddes i 1732 Väddö, Roslagen, troligtvis den 18 november. Han växte upp under fattiga omständigheter på Väddö prästgård vid sin farbror som var kyrkoherde där. Han var son till en militär och äldst i en syskonskara på 12 barn. Hans far råkade redan 1719 i rysk fångenskap men hade 1723 lyckats återvända till Sverige och då tagit sin tillflykt till brodern på Väddö. 1743 flyttade familjen Hilleström från Roslagen till Stockholm, där Pehr, 10 år gammal, sattes i lära hos tapet- och landskapsmålaren Johan Philip Korn (1727-1796) samt mellan åren 1744-1747 även hos den invandrade tyske solfjädermålaren Christian Fehmer. Utöver detta fick han även undervisning vid kungliga ritareakademin där Guillaume Thomas Taraval (1701-1750) och Jean Eric Rehn (1717-1793) var läromästare. Efter inrådan från Carl Hårleman sattes Hilleström 1745 i lära hos Jean Louis Duru (-1753). Duru var hautelissevävare och hade kallats till Sverige för att göra textila utsmyckningen av Stockholms slott. Tanken var att Hilleström skulle utbildas till Durus medhjälpare. 1749 visade Hilleström upp ett första läroprov som visades upp för deputationen som gillade det så mycket så att han fick en belöning på 180 daler kopparmynt. När Duru dog i slutet av 1753 så fick Hilleström fullborda den påbörjade kappan för tronhimmelen i det kungliga audiensrummet. Han var då så skicklig att det knappt kunde märkas någon skillnad mellan hans och hans lärares arbete. Lönen var blygsam men vid 1756 års riksdag fick han samma årslön som Duru hade haft, och han fick en beställning på ett vävt porträtt av Hårleman utfört i hautelisse. Åren 1757-58 var Hilleström på en längre och för tidens konstnärer sedvanlig studieresa till utlandet. Färden gick till Paris, Belgien och Holland, bland annat med en vidareutbildning i gobelängteknikerna som mål. I Paris blir Hilleström erbjuden att studera måleri i François Bouchers atelj??, men störst intryck tog han där av genre- och stillebenmålaren Jean-Baptiste-Sim??on Chardin, som undervisade honom vid franska målarakademien. Väl hemma i Stockholm fortsatte han visserligen att göra tapeter, mattor, stolsöverdrag och dylikt för hovet. Men så småningom fylldes slottet behov av vävnader samtidigt som Hilleström fortsatte studera måleri.

Pintura Identificación::  83926
Self portrait
Oil on canvas Dimensions 53 x 42 cm (20.9 x 16.5 in) cyf
Pehr Hilleström (1732-1816) var en svensk målare och vävare, professor vid Konstakademiens läroverk från 1794 och dess direktör från 1810. I unga år var han en av Sveriges främsta gobelängvävare men övergick sedan till måleri. Han är mest känd för sina vardagsskildringar av sin tids levnadssätt. Han målade pigor och tjänstefolk som arbetar, överklassen i de fina salarna, enkelt folk i stugorna och bilder från olika bruksmiljöer. Genom det räknas han som den största skildraren av den gustavianska samtiden. Pehr Hilleström är far till konstnären Carl Petter Hilleström och farfars farfars far till Gustaf Hilleström. Pehr Hilleström föddes i 1732 Väddö, Roslagen, troligtvis den 18 november. Han växte upp under fattiga omständigheter på Väddö prästgård vid sin farbror som var kyrkoherde där. Han var son till en militär och äldst i en syskonskara på 12 barn. Hans far råkade redan 1719 i rysk fångenskap men hade 1723 lyckats återvända till Sverige och då tagit sin tillflykt till brodern på Väddö. 1743 flyttade familjen Hilleström från Roslagen till Stockholm, där Pehr, 10 år gammal, sattes i lära hos tapet- och landskapsmålaren Johan Philip Korn (1727-1796) samt mellan åren 1744-1747 även hos den invandrade tyske solfjädermålaren Christian Fehmer. Utöver detta fick han även undervisning vid kungliga ritareakademin där Guillaume Thomas Taraval (1701-1750) och Jean Eric Rehn (1717-1793) var läromästare. Efter inrådan från Carl Hårleman sattes Hilleström 1745 i lära hos Jean Louis Duru (-1753). Duru var hautelissevävare och hade kallats till Sverige för att göra textila utsmyckningen av Stockholms slott. Tanken var att Hilleström skulle utbildas till Durus medhjälpare. 1749 visade Hilleström upp ett första läroprov som visades upp för deputationen som gillade det så mycket så att han fick en belöning på 180 daler kopparmynt. När Duru dog i slutet av 1753 så fick Hilleström fullborda den påbörjade kappan för tronhimmelen i det kungliga audiensrummet. Han var då så skicklig att det knappt kunde märkas någon skillnad mellan hans och hans lärares arbete. Lönen var blygsam men vid 1756 års riksdag fick han samma årslön som Duru hade haft, och han fick en beställning på ett vävt porträtt av Hårleman utfört i hautelisse. Åren 1757-58 var Hilleström på en längre och för tidens konstnärer sedvanlig studieresa till utlandet. Färden gick till Paris, Belgien och Holland, bland annat med en vidareutbildning i gobelängteknikerna som mål. I Paris blir Hilleström erbjuden att studera måleri i François Bouchers atelj??, men störst intryck tog han där av genre- och stillebenmålaren Jean-Baptiste-Sim??on Chardin, som undervisade honom vid franska målarakademien. Väl hemma i Stockholm fortsatte han visserligen att göra tapeter, mattor, stolsöverdrag och dylikt för hovet. Men så småningom fylldes slottet behov av vävnader samtidigt som Hilleström fortsatte studera måleri.

   
 

 

 
   
      

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Franz Thomas Low

Lived in 18th centry.

Pintura Identificación::  84006
Self portrait
18th century cyf
Lived in 18th centry.

   
 

 

 
   
      


Pintura Identificación::  84302
Self Portrait
Date 1630(1630) Medium Oil on canvas Dimensions 74.61 x 65.09 cm (29.4 x 25.6 in) cjr
1609-60

   
 

 

 
   
      

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John Singer Sargent

1856-1925 John Singer Sargent Locations

Pintura Identificación::  84310
Self Portrait
1906(1906) Medium Oil on canvas Dimensions 70 x 53 cm (27.6 x 20.9 in) cyf
1856-1925 John Singer Sargent Locations

   
 

 

 
   
      

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Anselm Feuerbach

1829-1880 German Anselm Feuerbach Location

Pintura Identificación::  84801
Self portrait
1852(1852) Medium Oil on canvas cyf
1829-1880 German Anselm Feuerbach Location

   
 

 

 
   
      

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Rembrandt Peale

1778-1860 Rembrandt Peale Galleries

Pintura Identificación::  84986
Self portrait
1627(1627) Medium Oil on wood cyf
1778-1860 Rembrandt Peale Galleries

   
 

 

 
   
      

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Anthoni Schoonjans

(1655 - 13 August 1726) was a Flemish painter. He was born in Antwerp and became a pupil of Erasmus Quellinus II and his son Jan-Erasmus Quellinus. He travelled to Rome and like his teachers had done before him, joined the Bentvueghels with the nickname "Parrhasius" in 1674. In Rome he lived with Charles de Vogelaer in the via Margutta and later he lived from 1688-89 in the Corso, near the via di Ripetta. In 1695 he became court painter in Vienna, where he later died. During the course of his lengthy career he also worked in Antwerp, Riems, Lyon, Amsterdam, the Hague, Brno, Dusseldorf, Copenhagen, and Berlin.He is known for portraits and historical allegories, and was the teacher of Georg Gsell.

Pintura Identificación::  85434
Self portrait
oil on canvas 66 x 51.5 cm cyf
(1655 - 13 August 1726) was a Flemish painter. He was born in Antwerp and became a pupil of Erasmus Quellinus II and his son Jan-Erasmus Quellinus. He travelled to Rome and like his teachers had done before him, joined the Bentvueghels with the nickname "Parrhasius" in 1674. In Rome he lived with Charles de Vogelaer in the via Margutta and later he lived from 1688-89 in the Corso, near the via di Ripetta. In 1695 he became court painter in Vienna, where he later died. During the course of his lengthy career he also worked in Antwerp, Riems, Lyon, Amsterdam, the Hague, Brno, Dusseldorf, Copenhagen, and Berlin.He is known for portraits and historical allegories, and was the teacher of Georg Gsell.

   
 

 

 
   
      

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johan gustaf sandberg

Johan Gustaf Sandberg, född 1782, död 1854, var målare; han var professor i teckning vid Konstakademien från 1828, och direktör där 1845?C1853. Sandberg ägnade sig främst åt historiemåleri, med motiv ur nordisk mytologi och svensk historia. Hans främsta verk inom detta område är kalkmålningarna över Gustav Vasa i Uppsala domkyrka. Han målade också en mängd porträtt. Sandberg blev 1794 elev i konstakademins principskola och 1801 i antikskolan, lärde samtidigt musik och klaverspelning och tjänade pengar genom lektioner och genom arbete på kungliga teaterns dekorationsmålarverkstad. Under den följande tiden slöt han sig till den opposition mot akademin, som hade sin medelpunkt i "Sällskapet för konststudium". Tvisten med akademin lade sig snart, Sandberg valdes till ledamot 1821 och blev ordinarie professor 1828. Däremot hade han aldrig tillfälle att göra den för äldre tiders konstnärer obligatoriska studieresan till södern. Han utförde teckningarna till praktverket "Ett år i Sverige" (1827 -35) med bilderna graverade under Christian Didrik Forssells ledning och texten skriven av Anders Abraham Grafström. Under upprepade sommarvistelser på Säfstaholms slott målade Sandberg folktyper och folkdräkter. Åtskilliga porträtt utförde Sandberg för det praktfulla "Galleri af utmärkta svenska lärde, vetenskapsidkare och konstnärer", som han utgav 1835?C42 (100 porträtt, litograferade av J. Cardon).

Pintura Identificación::  85603
Self Portrait
28 x 24 cm (11 x 9.4 in) cyf
Johan Gustaf Sandberg, född 1782, död 1854, var målare; han var professor i teckning vid Konstakademien från 1828, och direktör där 1845?C1853. Sandberg ägnade sig främst åt historiemåleri, med motiv ur nordisk mytologi och svensk historia. Hans främsta verk inom detta område är kalkmålningarna över Gustav Vasa i Uppsala domkyrka. Han målade också en mängd porträtt. Sandberg blev 1794 elev i konstakademins principskola och 1801 i antikskolan, lärde samtidigt musik och klaverspelning och tjänade pengar genom lektioner och genom arbete på kungliga teaterns dekorationsmålarverkstad. Under den följande tiden slöt han sig till den opposition mot akademin, som hade sin medelpunkt i "Sällskapet för konststudium". Tvisten med akademin lade sig snart, Sandberg valdes till ledamot 1821 och blev ordinarie professor 1828. Däremot hade han aldrig tillfälle att göra den för äldre tiders konstnärer obligatoriska studieresan till södern. Han utförde teckningarna till praktverket "Ett år i Sverige" (1827 -35) med bilderna graverade under Christian Didrik Forssells ledning och texten skriven av Anders Abraham Grafström. Under upprepade sommarvistelser på Säfstaholms slott målade Sandberg folktyper och folkdräkter. Åtskilliga porträtt utförde Sandberg för det praktfulla "Galleri af utmärkta svenska lärde, vetenskapsidkare och konstnärer", som han utgav 1835?C42 (100 porträtt, litograferade av J. Cardon).

   
 

 

 
   
      

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Olof Arenius

a Swedish portrait painter, and son of a minister in Upland, was born in 1701. He studied under David von Krafft, and afterwards went to the Netherlands to study the old masters. His portraits and miniatures in oil are much esteemed, and are to be found in all the public galleries, as well as in the best private collections, in Sweden. Many of them have been engraved. He died at Stockholm in 1766.

Pintura Identificación::  85975
Self portrait
Medium Oil on canvas Dimensions 36 x 29 cm (14.2 x 11.4 in) cjr
a Swedish portrait painter, and son of a minister in Upland, was born in 1701. He studied under David von Krafft, and afterwards went to the Netherlands to study the old masters. His portraits and miniatures in oil are much esteemed, and are to be found in all the public galleries, as well as in the best private collections, in Sweden. Many of them have been engraved. He died at Stockholm in 1766.

   
 

 

 
   
      

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Wouter Johannes van Troostwijk

1782-1810 Dutch Wouter Johannes van Troostwijk Gallery

Pintura Identificación::  86234
Self portrait
oil on canvas and paper 51.3 cm x 40 cm cyf
1782-1810 Dutch Wouter Johannes van Troostwijk Gallery

   
 

 

 
   
      

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Antonio Mancini

(14 November 1852 - 28 December 1930) was an Italian painter. Mancini was born in Rome and showed precocious ability as an artist. At the age of twelve, he was admitted to the Institute of Fine Arts in Naples, where he studied under Domenico Morelli (1823-1901), a painter of historical scenes who favored dramatic chiaroscuro and vigorous brushwork, and Filippo Palizzi (1818-1899), a landscape painter. Mancini developed quickly under their guidance, and in 1872, he exhibited two paintings at the Paris Salon. Mancini worked at the forefront of Verismo movement, an indigenous Italian response to 19th-century Realist aesthetics. His usual subjects included children of the poor, juvenile circus performers, and musicians he observed in the streets of Naples. His portrait of a young acrobat in "Saltimbanco" (1877-78) exquisitely captures the fragility of the boy whose impoverished childhood is spent entertaining pedestrian crowds. While in Paris in the 1870s, Mancini met Impressionists Edgar Degas and Édouard Manet. He became friends with John Singer Sargent, who famously pronounced him to be the greatest living painter. His mature works show a brightened palette with a striking impasto technique on canvas and a bold command of pastels on paper. In 1881, Mancini suffered a disabling mental illness. He settled in Rome in 1883 for twenty years, then moved to Frascati where he lived until 1918. During this period of Mancini's life, he was often destitute and relied on the help of friends and art buyers to survive. After the First World War, his living situation stabilized and he achieved a new level of serenity in his work. Mancini died in Rome in 1930 and buried in the Basilica Santi Bonifacio e Alessio on the Aventine Hill. His painting,The Poor Schoolboy, exhibited in the Salon of 1876, is in the Musee d'Orsay in Paris. Its realist subject matter and dark palette are typical of his early work. Paintings by Mancini also may be seen in major Italian museum collections, including Galleria Nazionale d'Arte Moderna e Contemporanea in Rome, and Museo Civico-Galleria d'Arte Moderna in Turin. The Philadelphia Art Museum holds fifteen oil paintings and three pastels by Mancini that were a gift of New York art dealer Vance N. Jordan.

Pintura Identificación::  86327
Self portrait
oil on canvas 60 x 72 cm cyf
(14 November 1852 - 28 December 1930) was an Italian painter. Mancini was born in Rome and showed precocious ability as an artist. At the age of twelve, he was admitted to the Institute of Fine Arts in Naples, where he studied under Domenico Morelli (1823-1901), a painter of historical scenes who favored dramatic chiaroscuro and vigorous brushwork, and Filippo Palizzi (1818-1899), a landscape painter. Mancini developed quickly under their guidance, and in 1872, he exhibited two paintings at the Paris Salon. Mancini worked at the forefront of Verismo movement, an indigenous Italian response to 19th-century Realist aesthetics. His usual subjects included children of the poor, juvenile circus performers, and musicians he observed in the streets of Naples. His portrait of a young acrobat in "Saltimbanco" (1877-78) exquisitely captures the fragility of the boy whose impoverished childhood is spent entertaining pedestrian crowds. While in Paris in the 1870s, Mancini met Impressionists Edgar Degas and Édouard Manet. He became friends with John Singer Sargent, who famously pronounced him to be the greatest living painter. His mature works show a brightened palette with a striking impasto technique on canvas and a bold command of pastels on paper. In 1881, Mancini suffered a disabling mental illness. He settled in Rome in 1883 for twenty years, then moved to Frascati where he lived until 1918. During this period of Mancini's life, he was often destitute and relied on the help of friends and art buyers to survive. After the First World War, his living situation stabilized and he achieved a new level of serenity in his work. Mancini died in Rome in 1930 and buried in the Basilica Santi Bonifacio e Alessio on the Aventine Hill. His painting,The Poor Schoolboy, exhibited in the Salon of 1876, is in the Musee d'Orsay in Paris. Its realist subject matter and dark palette are typical of his early work. Paintings by Mancini also may be seen in major Italian museum collections, including Galleria Nazionale d'Arte Moderna e Contemporanea in Rome, and Museo Civico-Galleria d'Arte Moderna in Turin. The Philadelphia Art Museum holds fifteen oil paintings and three pastels by Mancini that were a gift of New York art dealer Vance N. Jordan.

   
 

 

 
   
      

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Vincent Van Gogh

Dutch Post-Impressionist Painter, 1853-1890

Pintura Identificación::  86861
Self portrait
Oil on canvas Dimensions 41 x 33 cm cyf
Dutch Post-Impressionist Painter, 1853-1890

   
 

 

 
   
      


Pintura Identificación::  88202
Self Portrait
1630(1630) Medium Oil on canvas Dimensions 74.61 x 65.09 cm (29.4 x 25.6 in) cyf
1609-60

   
 

 

 
   
      

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Anthony Van Dyck

Dutch 1599-1641 Anthony Van Dyck Locations

Pintura Identificación::  90932
Self Portrait
ca. 1623 Medium English: Oil on Canvas cjr
Dutch 1599-1641 Anthony Van Dyck Locations

   
 

 

 
   
      


Pintura Identificación::  92563
Self portrait
1927 TTD
1901-30

   
 

 

 
   
      

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Gyula Benczur

Gyula Benczur (1844 - 1920) was a Hungarian painter and pedagogue. He won international success with his first few paintings, winning several competitions. He assisted Karl von Piloty with the frescoes of Maximilianeum and Rathaus in Munich. He also illustrated books by the great German writer, Friedrich Schiller. He was commissioned by the Bavarian king Ludwig II to paint Rococo themes. Later he was offered numerous international teaching positions, including offers in Prague and Weimar, but accepted a position in Munich, one of his most distinguished pupils being the Swiss-born American painter Adolfo Meller-Ury. Benczur was later a favorite among the Hungarian upper-class, painting numerous portraits of kings and aristocrats. He was considered a rival in historical painting to Makart. During his lifetime, Benczur won numerous awards. His self-portrait is on display at the Uffizi Gallery in Florence.

Pintura Identificación::  93532
Self portrait
1917 TTD
Gyula Benczur (1844 - 1920) was a Hungarian painter and pedagogue. He won international success with his first few paintings, winning several competitions. He assisted Karl von Piloty with the frescoes of Maximilianeum and Rathaus in Munich. He also illustrated books by the great German writer, Friedrich Schiller. He was commissioned by the Bavarian king Ludwig II to paint Rococo themes. Later he was offered numerous international teaching positions, including offers in Prague and Weimar, but accepted a position in Munich, one of his most distinguished pupils being the Swiss-born American painter Adolfo Meller-Ury. Benczur was later a favorite among the Hungarian upper-class, painting numerous portraits of kings and aristocrats. He was considered a rival in historical painting to Makart. During his lifetime, Benczur won numerous awards. His self-portrait is on display at the Uffizi Gallery in Florence.

   
 

 

 
   
      

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Karl Briullov

Russian Neoclassical/Romantic Painter, 1799-1852

Pintura Identificación::  93988
Self portrait
1848(1848) Medium oil on canvas Dimensions Height: 64.1 cm (25.2 in). Width: 54 cm (21.3 in). cjr
Russian Neoclassical/Romantic Painter, 1799-1852

   
 

 

 
   
      

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Miguel Cabrera

(1695-1768) was an indigenous Zapotec painter during the Viceroyalty of New Spain, today's Mexico. During his lifetime, he was recognized as the greatest painter in all of New Spain. He was born in Antequera, today's Oaxaca, Oaxaca, and moved to Mexico City in 1719. He may have studied under the Rodreguez Juerez brothers or Jose de Ibarra. Cabrera was a favorite painter of the Archbishop and of the Jesuit order, which earned him many commissions. His work was influenced by Bartolome Esteban Murillo and the French painting of his time. While Miguel is most famous for his Casta paintings and his portrait of the poet Sor Juana, he also executed one of the first portraits of St. Juan Diego. In 1752 he was permitted access to the icon of Our Lady of Guadalupe to make three copies: one for Archbishop Jose Manuel Rubio y Salinas, one for the Pope, and a third to use as a model for further copies. In 1756 he created an important early study of the icon of Our Lady of Guadalupe, Maravilla americana y conjunto de raras maravillas observadas con la direccien de las reglas del arte de la pintura The essential purpose of Maravilla Americana was to affirm the 1666 opinions of the witnesses who swore that the image of the Virgin was of a miraculous nature. However, he also elaborated a novel opinion: the image was crafted with a unique variety of techniques. He contended that the Virgin's face and hands were painted in oil paint, while her tunic, mandorla, and the cherub at her feet were all painted in egg tempera. Finally, her mantle was executed in gouache. He observed that the golden rays emanating from the Virgin seemed to be of dust that was woven into the very fabric of the canvas, which he asserted was of "a coarse weave of certain threads which we vulgarly call pita," a cloth woven from palm fibers. In 1753, he founded the second Academy of Painting in Mexico City and served as its director.

Pintura Identificación::  94123
Self portrait
1695-1768 cjr
(1695-1768) was an indigenous Zapotec painter during the Viceroyalty of New Spain, today's Mexico. During his lifetime, he was recognized as the greatest painter in all of New Spain. He was born in Antequera, today's Oaxaca, Oaxaca, and moved to Mexico City in 1719. He may have studied under the Rodreguez Juerez brothers or Jose de Ibarra. Cabrera was a favorite painter of the Archbishop and of the Jesuit order, which earned him many commissions. His work was influenced by Bartolome Esteban Murillo and the French painting of his time. While Miguel is most famous for his Casta paintings and his portrait of the poet Sor Juana, he also executed one of the first portraits of St. Juan Diego. In 1752 he was permitted access to the icon of Our Lady of Guadalupe to make three copies: one for Archbishop Jose Manuel Rubio y Salinas, one for the Pope, and a third to use as a model for further copies. In 1756 he created an important early study of the icon of Our Lady of Guadalupe, Maravilla americana y conjunto de raras maravillas observadas con la direccien de las reglas del arte de la pintura The essential purpose of Maravilla Americana was to affirm the 1666 opinions of the witnesses who swore that the image of the Virgin was of a miraculous nature. However, he also elaborated a novel opinion: the image was crafted with a unique variety of techniques. He contended that the Virgin's face and hands were painted in oil paint, while her tunic, mandorla, and the cherub at her feet were all painted in egg tempera. Finally, her mantle was executed in gouache. He observed that the golden rays emanating from the Virgin seemed to be of dust that was woven into the very fabric of the canvas, which he asserted was of "a coarse weave of certain threads which we vulgarly call pita," a cloth woven from palm fibers. In 1753, he founded the second Academy of Painting in Mexico City and served as its director.

   
 

 

 
   
      

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Anthoni Schoonjans

(1655 - 13 August 1726) was a Flemish painter. He was born in Antwerp and became a pupil of Erasmus Quellinus II and his son Jan-Erasmus Quellinus. He travelled to Rome and like his teachers had done before him, joined the Bentvueghels with the nickname "Parrhasius" in 1674. In Rome he lived with Charles de Vogelaer in the via Margutta and later he lived from 1688-89 in the Corso, near the via di Ripetta. In 1695 he became court painter in Vienna, where he later died. During the course of his lengthy career he also worked in Antwerp, Riems, Lyon, Amsterdam, the Hague, Brno, Dusseldorf, Copenhagen, and Berlin.He is known for portraits and historical allegories, and was the teacher of Georg Gsell.

Pintura Identificación::  94253
Self portrait
painting cjr
(1655 - 13 August 1726) was a Flemish painter. He was born in Antwerp and became a pupil of Erasmus Quellinus II and his son Jan-Erasmus Quellinus. He travelled to Rome and like his teachers had done before him, joined the Bentvueghels with the nickname "Parrhasius" in 1674. In Rome he lived with Charles de Vogelaer in the via Margutta and later he lived from 1688-89 in the Corso, near the via di Ripetta. In 1695 he became court painter in Vienna, where he later died. During the course of his lengthy career he also worked in Antwerp, Riems, Lyon, Amsterdam, the Hague, Brno, Dusseldorf, Copenhagen, and Berlin.He is known for portraits and historical allegories, and was the teacher of Georg Gsell.

   
 

 

 
   
      

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Sir Godfrey Kneller

1649-1723 Dutch (Resident in UK) Sir Godfrey Kneller Galleries

Pintura Identificación::  94390
Self Portrait
cjr
1649-1723 Dutch (Resident in UK) Sir Godfrey Kneller Galleries

   
 

 

 
   
      

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Henry Scott Tuke

British Painter and photographer , 1858-1929

Pintura Identificación::  94476
Self portrait
Self portrait (1920). TTD
British Painter and photographer , 1858-1929

   
 

 

 
   
      

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Francisco de Goya

Spanish 1746-1828 Francisco de Goya Locations

Pintura Identificación::  94952
Self portrait
Oil on tin plated iron, 43.8 x 32.7 cm cyf
Spanish 1746-1828 Francisco de Goya Locations

   
 

 

 
   
      

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Thomas Eakins

American Realist Painter, 1844-1916.

Pintura Identificación::  95190
Self portrait
1902 (1902) Type Oil on canvas Dimensions 76 cm x 63 cm cyf
American Realist Painter, 1844-1916.

   
 

 

 
   
      

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Jacob van Schuppen

Born in Fontainebleau, France, as the son of the painter-engraver Pieter van Schuppen, he worked in the Netherlands before moving to Vienna. He was taught to paint by his father and his uncle Nicolas de Largilliere. In 1719 he was registered in Luneville, but he moved in the same year to Vienna where he became court painter. In 1725 he was appointed director of the Academy of Fine Arts Vienna, when it was refounded by Emperor Charles VI as the k.k. Hofakademie der Maler, Bildhauer und Baukunst (Imperial and Royal Court Academy of painters, sculptors and architecture).

Pintura Identificación::  96393
Self portrait
oil on canvas 147.8 x 113.5 cm Date 18th century cyf
Born in Fontainebleau, France, as the son of the painter-engraver Pieter van Schuppen, he worked in the Netherlands before moving to Vienna. He was taught to paint by his father and his uncle Nicolas de Largilliere. In 1719 he was registered in Luneville, but he moved in the same year to Vienna where he became court painter. In 1725 he was appointed director of the Academy of Fine Arts Vienna, when it was refounded by Emperor Charles VI as the k.k. Hofakademie der Maler, Bildhauer und Baukunst (Imperial and Royal Court Academy of painters, sculptors and architecture).

   
 

 

 
   
      

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Amedeo Modigliani

Italian Expressionist Painter and Sculptor, 1884-1920

Pintura Identificación::  96412
Self portrait
1919(1919) Medium oil on canvas Dimensions 100 X 64.5 cm cyf
Italian Expressionist Painter and Sculptor, 1884-1920

   
 

 

 
   
      

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David Klocker Ehrenstrahl

German, 1629-1698

Pintura Identificación::  96413
Self portrait
17th century Medium oil on panel cyf
German, 1629-1698

   
 

 

 
   
      

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Rembrandt Peale

1778-1860 Rembrandt Peale Galleries

Pintura Identificación::  96445
Self portrait
oil on oak panel Dimensions 38.2 X 31 cm cyf
1778-1860 Rembrandt Peale Galleries

   
 

 

 
   
      

This artist (William Orpen) is not available now.

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Eugene Carriere

French Symbolist Painter, 1849-1906

Pintura Identificación::  97496
Self portrait
1893 Medium oil on canvas Dimensions 16 1/4 x 12 7/8 in cyf
French Symbolist Painter, 1849-1906

   
 

 

 
   
      

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Antonio Mancini

(14 November 1852 - 28 December 1930) was an Italian painter. Mancini was born in Rome and showed precocious ability as an artist. At the age of twelve, he was admitted to the Institute of Fine Arts in Naples, where he studied under Domenico Morelli (1823-1901), a painter of historical scenes who favored dramatic chiaroscuro and vigorous brushwork, and Filippo Palizzi (1818-1899), a landscape painter. Mancini developed quickly under their guidance, and in 1872, he exhibited two paintings at the Paris Salon. Mancini worked at the forefront of Verismo movement, an indigenous Italian response to 19th-century Realist aesthetics. His usual subjects included children of the poor, juvenile circus performers, and musicians he observed in the streets of Naples. His portrait of a young acrobat in "Saltimbanco" (1877-78) exquisitely captures the fragility of the boy whose impoverished childhood is spent entertaining pedestrian crowds. While in Paris in the 1870s, Mancini met Impressionists Edgar Degas and Édouard Manet. He became friends with John Singer Sargent, who famously pronounced him to be the greatest living painter. His mature works show a brightened palette with a striking impasto technique on canvas and a bold command of pastels on paper. In 1881, Mancini suffered a disabling mental illness. He settled in Rome in 1883 for twenty years, then moved to Frascati where he lived until 1918. During this period of Mancini's life, he was often destitute and relied on the help of friends and art buyers to survive. After the First World War, his living situation stabilized and he achieved a new level of serenity in his work. Mancini died in Rome in 1930 and buried in the Basilica Santi Bonifacio e Alessio on the Aventine Hill. His painting,The Poor Schoolboy, exhibited in the Salon of 1876, is in the Musee d'Orsay in Paris. Its realist subject matter and dark palette are typical of his early work. Paintings by Mancini also may be seen in major Italian museum collections, including Galleria Nazionale d'Arte Moderna e Contemporanea in Rome, and Museo Civico-Galleria d'Arte Moderna in Turin. The Philadelphia Art Museum holds fifteen oil paintings and three pastels by Mancini that were a gift of New York art dealer Vance N. Jordan.

Pintura Identificación::  96898
Self portrait
oil on canvas 60 x 72 cm cyf
(14 November 1852 - 28 December 1930) was an Italian painter. Mancini was born in Rome and showed precocious ability as an artist. At the age of twelve, he was admitted to the Institute of Fine Arts in Naples, where he studied under Domenico Morelli (1823-1901), a painter of historical scenes who favored dramatic chiaroscuro and vigorous brushwork, and Filippo Palizzi (1818-1899), a landscape painter. Mancini developed quickly under their guidance, and in 1872, he exhibited two paintings at the Paris Salon. Mancini worked at the forefront of Verismo movement, an indigenous Italian response to 19th-century Realist aesthetics. His usual subjects included children of the poor, juvenile circus performers, and musicians he observed in the streets of Naples. His portrait of a young acrobat in "Saltimbanco" (1877-78) exquisitely captures the fragility of the boy whose impoverished childhood is spent entertaining pedestrian crowds. While in Paris in the 1870s, Mancini met Impressionists Edgar Degas and Édouard Manet. He became friends with John Singer Sargent, who famously pronounced him to be the greatest living painter. His mature works show a brightened palette with a striking impasto technique on canvas and a bold command of pastels on paper. In 1881, Mancini suffered a disabling mental illness. He settled in Rome in 1883 for twenty years, then moved to Frascati where he lived until 1918. During this period of Mancini's life, he was often destitute and relied on the help of friends and art buyers to survive. After the First World War, his living situation stabilized and he achieved a new level of serenity in his work. Mancini died in Rome in 1930 and buried in the Basilica Santi Bonifacio e Alessio on the Aventine Hill. His painting,The Poor Schoolboy, exhibited in the Salon of 1876, is in the Musee d'Orsay in Paris. Its realist subject matter and dark palette are typical of his early work. Paintings by Mancini also may be seen in major Italian museum collections, including Galleria Nazionale d'Arte Moderna e Contemporanea in Rome, and Museo Civico-Galleria d'Arte Moderna in Turin. The Philadelphia Art Museum holds fifteen oil paintings and three pastels by Mancini that were a gift of New York art dealer Vance N. Jordan.

   
 

 

 
   
      

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Pedro Berruguete

(c. 1450 - 1504) was a Spanish painter; his art is regarded as a transitional style between gothic and Renaissance. Born in Paredes de Nava, Spain, he went to Italy in 1480 and worked in Federigo da Montefeltro's court in Urbino, where he could see some works by Melozzo da Forle. He came back to Spain in 1482 and painted in several cities, such as Sevilla, Toledo and Ávila. He was the father of an important sculptor, Alonso Berruguete, considered the most important sculptor in Renaissance Spain.

Pintura Identificación::  97033
Self portrait
second half of 15th century Medium oil on canvas cyf
(c. 1450 - 1504) was a Spanish painter; his art is regarded as a transitional style between gothic and Renaissance. Born in Paredes de Nava, Spain, he went to Italy in 1480 and worked in Federigo da Montefeltro's court in Urbino, where he could see some works by Melozzo da Forle. He came back to Spain in 1482 and painted in several cities, such as Sevilla, Toledo and Ávila. He was the father of an important sculptor, Alonso Berruguete, considered the most important sculptor in Renaissance Spain.

   
 

 

 
   
      

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Simon Vouet

b. 1590, Paris, d. 1649, Paris

Pintura Identificación::  97085
Self portrait
circa 1626-1627 Medium oil on canvas Dimensions 45 X 36.5 cm cyf
b. 1590, Paris, d. 1649, Paris

   
 

 

 
   
      

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Anton mauve

Dutch Painter, 1838-1888

Pintura Identificación::  97086
Self portrait
oil on canvas, 65 cm x 43 cm cyf
Dutch Painter, 1838-1888

   
 

 

 
   
      

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Jose Ferraz de Almeida Junior

(8 May 1850 - 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira violeiro , the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiete River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. In 1877 he was already enrolled in the School of Fine Arts in Paris. He took part at the Salon de Paris with several works of art in 1879 (Retrato do Dr. Jose de Magalhães), 1880 (O Derrubador Brasileiro) and (Remorso de Judas), 1881 (Fuga para o Egito) and 1882 (Descanso do Modelo) He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.

Pintura Identificación::  97113
Self portrait
1878(1878) Medium oil on canvas Dimensions 16.14 X 12.79 in cyf
(8 May 1850 - 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira violeiro , the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiete River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. In 1877 he was already enrolled in the School of Fine Arts in Paris. He took part at the Salon de Paris with several works of art in 1879 (Retrato do Dr. Jose de Magalhães), 1880 (O Derrubador Brasileiro) and (Remorso de Judas), 1881 (Fuga para o Egito) and 1882 (Descanso do Modelo) He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.

   
 

 

 
   
      

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Anna Ancher

Danish Painter, 1859-1935

Pintura Identificación::  97327
Self portrait
1877-78 Medium oil on canvas cyf
Danish Painter, 1859-1935

   
 

 

 
   
      

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Simon Vouet

b. 1590, Paris, d. 1649, Paris

Pintura Identificación::  97353
Self portrait
1626(1626) or 1627(1627) Medium oil on canvas Dimensions 45 X 36.5 cm cyf
b. 1590, Paris, d. 1649, Paris

   
 

 

 
   
      

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Edward Arthur Walton

British Painter, 1860-1922

Pintura Identificación::  97417
Self portrait
oil on canvas Dimensions 67 X 51.5 cm cyf
British Painter, 1860-1922

   
 

 

 
   
      

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Jan Frans van Douven

Jan Frans van Douven, or Johan Francois Douven, (Roermond, 2 March 1656 - Desseldorf, 1727) was a Southern Netherlandish portrait painter belonging to the Dutch Leyden School. Born in Roermond, he spent most of his life as Court painter in Desseldorf, now in Germany, where he created most of his worksDate circa 1695(1695) Medium oil

Pintura Identificación::  97695
Self portrait
circa 1715(1715) Medium oil on canvas Dimensions 54.6 x 44.7 cm cyf
Jan Frans van Douven, or Johan Francois Douven, (Roermond, 2 March 1656 - Desseldorf, 1727) was a Southern Netherlandish portrait painter belonging to the Dutch Leyden School. Born in Roermond, he spent most of his life as Court painter in Desseldorf, now in Germany, where he created most of his worksDate circa 1695(1695) Medium oil

   
 

 

 
   
      

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Lucas van Leyden

1489-1533 Dutch Lucas van Leyden Galleries

Pintura Identificación::  97765
Self portrait
1509(1509) Medium oil on oak cyf
1489-1533 Dutch Lucas van Leyden Galleries

   
 

 

 
   
      

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Julian Falat

(30 July 1853 in Tuligłowy near Lwew - 9 July 1929 in Bystra Śląska) was one of the most prolific Polish painters of watercolor and one of the country's foremost landscape painters as well as one of the leading Polish impressionists. Fałat first studied under Władysław Łuszczkiewicz at the Krakew School of Fine Arts, and then at the Art Academy of Munich. After several trips throughout Europe and Asia in 1885, Fałat compiled a collection of studies from his voyages which would become useful later in the development of his artwork. Themes typical of Fałat's painting are Polish landscapes, hunting scenes, portraits, and studies from his voyages. In 1886, Fałat accepted an invitation from future German Emperor Wilhelm II to serve as court painter in Berlin. Fałat died in Bystra Śląska on July 9, 1929. A museum in Poland, called Fałatewka, is devoted to him. Out of his three children, Kazimierz (Togo) (1904-1981) continued to paint in watercolour. Some works, having been looted under German occupation, very occasionally reappear in sales-rooms. Later works, produced after he settled in England, are largely in the hands of his later family.

Pintura Identificación::  97878
Self portrait
1903 Medium oil on canvas Dimensions 47.5 x 132.5 cm cyf
(30 July 1853 in Tuligłowy near Lwew - 9 July 1929 in Bystra Śląska) was one of the most prolific Polish painters of watercolor and one of the country's foremost landscape painters as well as one of the leading Polish impressionists. Fałat first studied under Władysław Łuszczkiewicz at the Krakew School of Fine Arts, and then at the Art Academy of Munich. After several trips throughout Europe and Asia in 1885, Fałat compiled a collection of studies from his voyages which would become useful later in the development of his artwork. Themes typical of Fałat's painting are Polish landscapes, hunting scenes, portraits, and studies from his voyages. In 1886, Fałat accepted an invitation from future German Emperor Wilhelm II to serve as court painter in Berlin. Fałat died in Bystra Śląska on July 9, 1929. A museum in Poland, called Fałatewka, is devoted to him. Out of his three children, Kazimierz (Togo) (1904-1981) continued to paint in watercolour. Some works, having been looted under German occupation, very occasionally reappear in sales-rooms. Later works, produced after he settled in England, are largely in the hands of his later family.

   
 

 

 
   
      

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Otto Scholderer

(25 January 1834 - 22 January 1902) was a German painter. He was born in Frankfurt am Main. On completing his schooling, Scholderer went to the Städel academy of arts in 1849, where he remained until 1851. Among his teachers were the art historian Johann David Passavant and the painter Jakob Becker. Subsequently, Scholderer established himself in Städel as a freelance painter. During this period his friendship with Victor Meller began; Scholderer became his brother-in-law in 1868. Through Meller, Scholderer became acquainted with the works of Gustave Courbet. Scholderer made several short study trips to Paris between 1857 and 1858, where he became friends with Henri Fantin-Latour and Édouard Manet, whose influence can be seen in his subsequent work. Fantin-Latour depicted Scholderer in his picture Studio aux Batignolles . Starting from 1858, Scholderer worked and lived predominantly in Kronberg in Taunus, where his colleagues included Anton Burger, Peter Burnitz and Louis Eysen; he was close to the Kronberger painter colony. In 1866, Scholderer established himself in Desseldorf and made friends with Hans Thoma. With Thoma, Scholderer went in 1868 to Paris and returned to Germany only shortly before the outbreak of the French-German War. First Scholderer established himself in Munich, renewing his friendship with Wilhelm Leibl and becoming one of the artists of the Leibl-Kreis (Leibl circle). At the beginning of 1871 he went to London and worked there till the autumn of 1899. After 1899, Scholderer returned to his hometown of Frankfurt, where he died at the age of almost 68 years on 22 January 1902. Otto Scholderer's art, initially dominated by landscapes, later consisted primarily of portraits and still lifes. The important connection between the romantic period and the Impressionists is evident in his work.

Pintura Identificación::  97930
Self portrait
1875/76 Medium oil on canvas Dimensions 96.5 x 76.5 cm cyf
(25 January 1834 - 22 January 1902) was a German painter. He was born in Frankfurt am Main. On completing his schooling, Scholderer went to the Städel academy of arts in 1849, where he remained until 1851. Among his teachers were the art historian Johann David Passavant and the painter Jakob Becker. Subsequently, Scholderer established himself in Städel as a freelance painter. During this period his friendship with Victor Meller began; Scholderer became his brother-in-law in 1868. Through Meller, Scholderer became acquainted with the works of Gustave Courbet. Scholderer made several short study trips to Paris between 1857 and 1858, where he became friends with Henri Fantin-Latour and Édouard Manet, whose influence can be seen in his subsequent work. Fantin-Latour depicted Scholderer in his picture Studio aux Batignolles . Starting from 1858, Scholderer worked and lived predominantly in Kronberg in Taunus, where his colleagues included Anton Burger, Peter Burnitz and Louis Eysen; he was close to the Kronberger painter colony. In 1866, Scholderer established himself in Desseldorf and made friends with Hans Thoma. With Thoma, Scholderer went in 1868 to Paris and returned to Germany only shortly before the outbreak of the French-German War. First Scholderer established himself in Munich, renewing his friendship with Wilhelm Leibl and becoming one of the artists of the Leibl-Kreis (Leibl circle). At the beginning of 1871 he went to London and worked there till the autumn of 1899. After 1899, Scholderer returned to his hometown of Frankfurt, where he died at the age of almost 68 years on 22 January 1902. Otto Scholderer's art, initially dominated by landscapes, later consisted primarily of portraits and still lifes. The important connection between the romantic period and the Impressionists is evident in his work.

   
 

 

 
   
      

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Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations

Pintura Identificación::  98054
Self portrait
circa 1810-20 Medium oil on canvas Dimensions 67 x 52.4 cm cyf
1774-1840 Caspar David Friedrich Locations

   
 

 

 
   
      

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Diego Velazquez

Spanish Baroque Era Painter, 1599-1660

Pintura Identificación::  98250
Self portrait
1640(1640) Medium oil on canvas Dimensions 45 x 38 cm cyf
Spanish Baroque Era Painter, 1599-1660

   
 

 

 
   
      

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Julian Falat

(30 July 1853 in Tuligłowy near Lwew - 9 July 1929 in Bystra Śląska) was one of the most prolific Polish painters of watercolor and one of the country's foremost landscape painters as well as one of the leading Polish impressionists. Fałat first studied under Władysław Łuszczkiewicz at the Krakew School of Fine Arts, and then at the Art Academy of Munich. After several trips throughout Europe and Asia in 1885, Fałat compiled a collection of studies from his voyages which would become useful later in the development of his artwork. Themes typical of Fałat's painting are Polish landscapes, hunting scenes, portraits, and studies from his voyages. In 1886, Fałat accepted an invitation from future German Emperor Wilhelm II to serve as court painter in Berlin. Fałat died in Bystra Śląska on July 9, 1929. A museum in Poland, called Fałatewka, is devoted to him. Out of his three children, Kazimierz (Togo) (1904-1981) continued to paint in watercolour. Some works, having been looted under German occupation, very occasionally reappear in sales-rooms. Later works, produced after he settled in England, are largely in the hands of his later family.

Pintura Identificación::  98280
Self portrait
1903 Medium oil on canvas Dimensions 47.5 x 132.5 cm cyf
(30 July 1853 in Tuligłowy near Lwew - 9 July 1929 in Bystra Śląska) was one of the most prolific Polish painters of watercolor and one of the country's foremost landscape painters as well as one of the leading Polish impressionists. Fałat first studied under Władysław Łuszczkiewicz at the Krakew School of Fine Arts, and then at the Art Academy of Munich. After several trips throughout Europe and Asia in 1885, Fałat compiled a collection of studies from his voyages which would become useful later in the development of his artwork. Themes typical of Fałat's painting are Polish landscapes, hunting scenes, portraits, and studies from his voyages. In 1886, Fałat accepted an invitation from future German Emperor Wilhelm II to serve as court painter in Berlin. Fałat died in Bystra Śląska on July 9, 1929. A museum in Poland, called Fałatewka, is devoted to him. Out of his three children, Kazimierz (Togo) (1904-1981) continued to paint in watercolour. Some works, having been looted under German occupation, very occasionally reappear in sales-rooms. Later works, produced after he settled in England, are largely in the hands of his later family.

   
 

 

 
   
      

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Samuel Dircksz van Hoogstraten

1627-1678 Flemish Samuel Dircksz Van Hoogstraten Galleries

Pintura Identificación::  98304
Self portrait
circa 1647(1647) Medium oil on canvas Dimensions 102 x 79 cm cyf
1627-1678 Flemish Samuel Dircksz Van Hoogstraten Galleries

   
 

 

 
   
      

Samuel Dircksz van Hoogstraten
1627-1678 Flemish Samuel Dircksz Van Hoogstraten Galleries
Self portrait

        
 
   
 

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